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Drawing --- Graphic arts --- Staatsgalerie --- Belgium --- Netherlands --- Staatsgalerie Stuttgart-Graphische Sammlung --- grafiek --- 16de eeuw --- 17de eeuw --- 18de eeuw --- Staatsgalerie Stuttgart-Graphische Sammlung. --- 16de eeuw. --- 17de eeuw. --- 18de eeuw. --- Hollandse school --- Nederlandse school --- Vlaamse school
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Graphic arts --- Klee, Paul --- Kandinsky, Vasili Vassileevich --- Schiele, Egon --- Staatsgalerie [Stuttgart] --- anno 1900-1999 --- Germany --- 769 <43 STUTTGART> --- 76 <43> --- 76 <43> Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989 --- Grafische kunsten. Grafiek. Prentkunst--Duitsland voor 1945 en na 1989 --- 769 <43 STUTTGART> Prentenverzamelingen--Duitsland voor 1945 en na 1989--STUTTGART --- Prentenverzamelingen--Duitsland voor 1945 en na 1989--STUTTGART --- Exhibitions --- Kandinsky, Wassily
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Celebrating Marcel Duchamp's revolutionary contributions to modern art, this innovative exploration of the Stuttgart Duchamp Collection and the Archive of Serge Stauffer offers new insights into both artists' philosophies. As the inventor of the Readymade and a founder of conceptual art, Marcel Duchamp's work is still provoking important discussions about what defines art. Accompanying the first exhibition of the important Stuttgart Duchamp Collection, this book also presents the work of the Swiss artist and educator Serge Stauffer and his renowned research on Duchamp's art and writings. The series of 100 questions Stauffer wrote to the French artist in 1960 - and Duchamp's answers - provide important insights into Duchamp's intellectual and creative practice and bear witness to the depth of Stauffer's exceptional research. This book opens with an introduction to the relationship between Duchamp and Stauffer. It features brilliant reproductions of Duchamp's most renowned works, including Bottlerack, the painting study for Chocolate Grinder, No 2, and the window object La Bagarre d'Austerlitz. A biographical essay on both Duchamp and Stauffer provides important background to understanding the exceptional relationship between both artists.
Kunst --- ready-mades --- archieven [collecties] --- onderzoekers --- Duchamp, Marcel --- Stauffer, Serge --- Art --- art [fine art] --- fonds [collections] --- kunst --- 7.071 DUCHAMP --- concept art --- conceptuele kunst --- surrealisme --- dadaïsme --- Duchamp Marcel --- twintigste eeuw --- Frankrijk --- Verenigde Staten --- Duchamp, Marcel, --- Sélavy, Rrose, --- Duchamp-Villon, Marcel, --- Villon, Marcel Duchamp-, --- Duchamp, Henri Robert Marcel, --- Dushan, Marsel, --- דושאן, מרסל --- デユシヤンマルセル, --- Duxiang, --- Sélavy, Rose, --- Exhibitions --- Archives --- Fonds d'archives --- Staatsgalerie Stuttgart --- verzameling Serge Stauffer --- Bill, Max --- Sélavy, Rrose --- Sélavy, Rrose --- Villon, Marcel Duchamp --- -Duchamp, Henri Robert Marcel --- Dushan, Marsel --- Duxiang --- Sélavy, Rose --- verzameling Serge Stauffer. --- Staatsgalerie Stuttgart. --- Duchamp, Marcel. --- Sélavy, Rrose. --- Stauffer, Serge. --- Bill, Max. --- art [discipline] --- ready-mades [found objects]
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Oskar Schlemmer (1888–1943) was one of the most versatile artists of the twentieth century. A member of the Bauhaus, Schlemmer created highly original works not only as a sculptor, draftsman, and graphic artist, but also as a stage designer, author, and creator of stunning dance works. Together, his projects articulated his vision of the “new” man, living in functional architecture, thinking and acting clearly in a modern age that would never again succumb to the chaos of war. This beautifully illustrated catalogue accompanies the first comprehensive Schlemmer retrospective exhibition in nearly forty years. It presents more than 250 works―including the seven original costumes of Schlemmer’s epochal Triadisches Ballett―together with rare documents from the period. Essays draw important connections between all-encompassing efforts at reform and the work of the Bauhaus and discuss Schlemmer’s unsuccessful attempts to reconcile his “apolitical” art with Nazi ideas of state-controlled art. A landmark publication, Oskar Schlemmer: Visions of a New World makes a case not only for the artist’s continuing importance, but for the value of his lofty ethical goals for art as well.
Art --- Schlemmer, Oskar --- Bauhaus --- Wereldoorlog I --- theater --- literatuur --- Installation-art --- Sculpture --- Design --- Schlemmer, Oskar, 1888-1943 --- ballet [discipline] --- drama [literature] --- painting [image-making] --- choreography --- sculpting --- Futurist --- theater, toneel, toneelvoorstelling --- Bauhaus. --- Wereldoorlog I. --- theater, toneel, toneelvoorstelling. --- literatuur. --- Schlemmer, Oskar. --- drama [discipline]
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Art styles --- Iconography --- Art --- assemblages [sculpture] --- art [discipline] --- motion --- sound [acoustics] --- Kinetic Art --- machines [general equipment] --- Bürkle, Bettina --- Fleischer, Joachim --- Friebe, Gerhard --- Illi, Klaus --- Künzler, Ralph --- Luithle, Anja --- Raschke, Thomas --- Vogel, Peter --- anno 1900-1999 --- anno 2000-2099 --- Germany
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Art --- multimedia works --- Modern [style or period] --- vriendschap --- Duchamp, Marcel --- Beuys, Joseph
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