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This study offers an interdisciplinary gendered assessment of early modern performing itinerant healers (mountebanks, charlatans and quacksalvers). As Katritzky shows, quacks, male or female, combined, in widely varying proportions, three elements: the medical, the itinerant and the theatrical. Above all, they were performers. They used theatricality, it its widest possible sense, to attract customers and to promote and advertise their pharmaceuticals and health care services. Katritzky investigates here the performative aspects of quack marketing and healing methods, and their profound links with the rise of Europe's professional actresses. Women, Medicine and Theatre also recovers women's roles in the economy of the itinerant quack stage. Women associated with mountebank troupes were medically and theatrically active at every level from major stage celebrities to humble urine sample collectors, but also included sedentary relatives, non-performing assistants, door- and bookkeepers, wardrobe mistresses, prop and costume loaners, landladies, spectators, patrons and clients. Katritzky's study of the whole range of women who supported the troupes contextualizes the activities of their male counterparts and rehabilitates a broad spectrum of diversely occupied women. --From publisher's description.
Sociology of the family. Sociology of sexuality --- Theatrical science --- anno 1500-1799 --- Europe --- 769.04:61 --- 792.22 --- 82-2 "15/17" --- 396 "15/17" --- 396 "17" --- Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Theatervormen: blijspelen; comedies; schelmenstukken; kluchten; vaudevilles --- Toneel. Drama--Moderne Tijd --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--Moderne Tijd --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--18e eeuw. Periode 1700-1799 --- Traveling theater --- European drama --- Women in literature. --- Quacks and quackery --- Actresses --- Quackery --- Drama --- History, 16th Century --- History, 17th Century --- History, 18th Century --- Medicine in Literature --- Women --- Actresses. --- European drama. --- Quacks and quackery. --- Traveling theater. --- Heilerin. --- Fahrender. --- Frau. --- Drama. --- History. --- History and criticism. --- Geschichte 1500-1750. --- Europe. --- 396 "17" Feminisme. Vrouwenbeweging. Vrouw en maatschappij--18e eeuw. Periode 1700-1799 --- 396 "15/17" Feminisme. Vrouwenbeweging. Vrouw en maatschappij--Moderne Tijd --- 82-2 "15/17" Toneel. Drama--Moderne Tijd --- 792.22 Theatervormen: blijspelen; comedies; schelmenstukken; kluchten; vaudevilles --- 769.04:61 Prentenverzamelingen in de grafische kunsten. Iconografie. Iconologie-:-Geneeskunde. Hygiëne. Farmacie --- Women in literature --- Charlatans --- Impostors and imposture --- Medicine --- Swindlers and swindling --- Woman (Christian theology) in literature --- Women in drama --- Women in poetry --- Traveling theatrical companies --- Theater --- Theatrical companies --- History --- History and criticism
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Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle lazzi of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the commedia dell'arte and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of commedia stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm Recueil Fossard within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for commedia dell'arte specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with commedia -related aspects of visual, dramatic and festival culture, in and beyond Italy.
Commedia dell'arte --- Literature [Comic] --- Pictorial works --- Painting --- Theater in art. --- Art and theater --- History and criticism. --- Themes, motives. --- Subjects --- Commedia dell'arte.
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Painting --- History --- drama [discipline] --- commedia dell'arte --- Toeput, Lodewijk --- anno 1500-1599 --- Netherlands --- Belgium
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Italian comedians attracted audiences to performances at every level, from the magnificent Italian, German and French court festival appearances of Orlando di Lasso or Isabella Andreini, to the humble street trestle 'lazzi' of anonymous quacks. The characters they inspired continue to exercise a profound cultural influence, and an understanding of the 'commedia dell'arte' and its visual record is fundamental for scholars of post-1550 European drama, literature, art and music. The 340 plates presented here are considered in the light of the rise and spread of 'commedia' stock types, and especially Harlequin, Zanni and the actresses. Intensively researched in public and private collections in Oxford, Munich, Florence, Venice, Paris and elsewhere, they complement the familiar images of Jacques Callot and the Stockholm 'Recueil Fossard' within a framework of hundreds of significant pictures still virtually unknown in this context. These range from anonymous popular prints to pictures by artists such as Ambrogio Brambilla, Sebastian Vrancx, Jan Bruegel, Louis de Caulery, Marten de Vos, and members of the Valckenborch and Francken clans. This volume, essential for 'commedia dell'arte' specialists, represents an invaluable reference resource for scholars, students, theatre practitioners and artists concerned with 'commedia'-related aspects of visual, dramatic and festival culture, in and beyond Italy.
Theatrical science --- Drama --- Italian literature --- commedia dell'arte --- anno 1500-1599 --- anno 1600-1699
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Guarinoni, Hippolyt --- Platter, Felix --- Platter, Thomas [jr.]
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Theatrical science --- anno 1500-1799 --- Europe --- Theater --- Theater audiences --- Théâtre --- Production and direction --- History --- Production et mise en scène --- Histoire --- Publics --- Théâtre --- Production et mise en scène
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Theatrical science --- Drama --- drama [literature] --- performance art --- plays [performed works] --- anno 1500-1799 --- drama [discipline] --- plays [performing arts compositions]
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Theatrical science --- anno 1400-1499 --- anno 1500-1599 --- Europe --- Theater --- Theater audiences --- Théâtre --- History --- Sources. --- Sources --- Production and direction --- Histoire --- Production et mise en scène --- Publics --- Théâtre --- Production et mise en scène
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