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Ratio und Affectus : zum Verhältnis von Vernunft und Affekt in den Orationes sive Meditationes und im Proslogion Anselms von Canterbury (1033/4-1109)
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ISBN: 9783830675945 3830675941 Year: 2014 Volume: 7 160 Publisher: Roma: Pontificio ateneo S. Anselmo,

Last words
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ISBN: 1282751581 9786612751585 1400820715 1400811899 0691056889 0691628556 9781400811892 9780691056883 0691628157 1400803195 9781400803194 9780691628554 9781282751583 9781400820719 Year: 1992 Publisher: Princeton, N.J. Princeton University Press

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Whether Goethe actually cried "More light!" on his deathbed, or whether Conrad Hilton checked out of this world after uttering "Leave the shower curtain on the inside of the tub," last words, regardless of authenticity, have long captured the imagination of Western society. In this playfully serious investigation based on factual accounts, anecdotes, literary works, and films, Karl Guthke explores the cultural importance of those words spoken at the border between this world and the next. The exit lines of both famous and ordinary people embody for us a sense of drama and truthfulness and reveal much about our thoughts on living and dying. Why this interest in last words? Presenting statements from such figures as Socrates, Nathan Hale, Marie Antoinette, and Oscar Wilde ("I am dying as I have lived, beyond my means"), Guthke examines our fascination in terms of our need for closure, our desire for immortality, and our attraction to the mystique of death scenes. The author considers both authentic and invented final statements as he looks at the formation of symbols and legends and their function in our culture. Last words, handed down from generation to generation like cultural heirlooms, have a good chance of surviving in our collective memory. They are shown to epitomize a life, convey a sense of irony, or play to an audience, as in the case of the assassinated Mexican revolutionary Pancho Villa, who is said to have died imploring journalists: "Don't let it end like this. Tell them I said something. "Originally published in 1992.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Gerhart Hauptmann: Weltbild im Werk
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ISBN: 3772012922 9783772012921 Year: 1980 Volume: 982 Publisher: München: Francke,

Das deutsche bürgerliche Trauerspiel
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ISBN: 3476101169 9783476101167 Year: 1972 Volume: 116 Publisher: Stuttgart: J. B. Metzlersche verlagsbuchhandlung,

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Rechtsformen und Schichten der Liegenschaftsnutzung im mittelalterlichen Dorf
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ISBN: 3205071026 Year: 1973 Publisher: Wien Böhlau

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Dorfgenossenschaft und Dorfgemeinde
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ISBN: 3205000145 Year: 1974 Publisher: Wien Böhlau

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Das mittelalterliche Dorf als Friedens- und Rechtsbereich
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ISBN: 3412069817 9783412069810 Year: 1982 Volume: 1 Publisher: Köln: Böhlau,

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Zwei Jahrzehnte Rechtsgeschichte an der Universität Zürich: die Betreuung des Faches zur Zeit des Zürcher Ordinariats von Karl S. Bader, 1953-1975
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ISBN: 3725516642 Year: 1975 Publisher: Zürich


Book
Life without end : a thought experiment in literature from Swift to Houellebecq
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ISBN: 1787441032 1571139745 Year: 2017 Publisher: Rochester, New York : Camden House,

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The idea of earthly immortality has a tradition in literature dating to the Gilgamesh epic. But what would it mean to attain such immortality? Answers are suggested in novels and plays that explore the theme using varieties of Borges's "rational imagination," often in connection with projections of biology or cybernetics. In this groundbreaking study, Karl S. Guthke examines key works in this vein, throwing into relief fascinating instances of human self-awareness across the last 300 years. Authors discussed in detail include J. M. Barrie, Calvino, Shaw, Adolfo Bioy Casares, Swift, Aldous Huxley, Walter Besant, Arthur C. Clarke, Wilde, Borges, William Godwin and other English Romantics, Capek, Machado de Assis, de Beauvoir, Martin Amis, Dino Buzzati, Houellebecq, Iris Barry, Saramago, Rushdie, Gabi Gleichmann, and Pascal Mercier. Guthke finds that the fictional triumph over death is only rarely viewed positively, and mostly as a "curse"-for a variety of reasons. Almost always, however, literary experiments with immortality suggest an alternative: the chance to take our limited lifetime into our own hands, shaping it meaningfully and thereby experiencing "a new way of being in the world" (Mercier). The fictional immortals reject this challenge, thus depriving themselves of what makes humans human and life worth living. And what that might be is also at least hinted at in the works Guthke analyzes. As a result, an aspect of cultural history comes into view that is revealing and stimulating at a time that is, as Der Spiegel put it in 2014, "obsessed by the invention of immortality." Karl S. Guthke is the Kuno Francke Professor of Germanic Art and Culture, Emeritus, of Harvard University.


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Das mittelalterliche Dorf als Friedens- und Rechtsbereich
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Year: 1967 Publisher: Graz: Böhlau,

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