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Between the reign of Alfred in the late ninth century and the arrival of the Normans in 1066, a unique set of images of kingship and queenship was developed in Anglo-Saxon England, images of leadership that centred on books, authorship and learning rather than thrones, sword and sceptres. Focusing on the cultural and historical contexts in which these images were produced, this book explores the reasons for their development, and their meaning and function within both England and early medieval Europe. It explains how and why they differ from their Byzantine and Continental counterparts, and what they reveal about Anglo-Saxon attitudes towards history and gender, as well as the qualities that were thought to constitute a good ruler. It is argued that this series of portraits, never before studied as a corpus, creates a visual genealogy equivalent to the textual genealogies and regnal lists that are so much a feature of late Anglo-Saxon culture. As such they are an important part of the way in which the kings and queens of early medieval England created both their history and their kingdom.
CATHERINE E. KARKOV is Professor of Art History at the University of Leeds.
Books and reading --- Anglo-Saxons --- Authorship --- Portrait painting, English. --- English portrait painting --- Authoring (Authorship) --- Writing (Authorship) --- Literature --- Saxons --- History --- Kings and rulers --- Intellectual life. --- Great Britain --- Intellectual life --- Anglo-Saxon England. --- authorship. --- books. --- early medieval England. --- gender. --- good ruler. --- history. --- kings and queens. --- kingship. --- leadership. --- learning. --- queenship. --- regnal lists. --- textual genealogies. --- visual genealogy.
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A powerful claim for the virtues of a more thoughtful and collegiate approach to the academy today.
Civilization, Medieval --- Learning and scholarship. --- Education, Higher --- Universities and colleges. --- Slow life movement. --- Neoliberalism. --- Middle Ages --- Study and teaching (Higher) --- Aims and objectives. --- Research. --- Dark Ages --- History, Medieval --- Medieval history --- Medieval period --- World history, Medieval --- World history --- Medievalism --- Renaissance --- Neo-liberalism --- Liberalism --- Slow living movement --- Slow movement (Slow life movement) --- Social movements --- Colleges --- Degree-granting institutions --- Higher education institutions --- Higher education providers --- Institutions of higher education --- Postsecondary institutions --- Public institutions --- Schools --- Erudition --- Scholarship --- Civilization --- Intellectual life --- Education --- Research --- Scholars --- Medieval civilization --- Chivalry --- History --- Academic Culture. --- Academics. --- Accountability. --- Bureaucracy. --- Collaboration. --- Education. --- Higher Education. --- Responsibility. --- Slow Looking. --- Slow Reading. --- Slow Thinking. --- Slow Writing. --- Time.
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A fresh approach to the construction of "Anglo-Saxon England" and its depiction in art and writing.
Civilization, Anglo-Saxon. --- Art, Anglo-Saxon. --- English literature --- Anglo-Saxon civilization --- Anglo-Saxons --- Anglo-Saxon art --- History and criticism. --- Civilization --- Great Britain --- History --- Anglo-Saxons in literature. --- Political violence --- History. --- Violence --- Political crimes and offenses --- Terrorism --- Alt-Right. --- Antiquarian Studies. --- Art. --- Conflicted Geography. --- Construction. --- Continental Arrival. --- Dystopia. --- English history and culture. --- Heterotopia. --- Ideal. --- Ideological Violence. --- Imagining Anglo-Saxon England. --- Modern Scholarly. --- Nationalistic. --- Political. --- Popular Afterlives. --- Racist Violence. --- Utopia. --- Writing. --- archaeological studies. --- art and writing. --- conflict. --- historical paths. --- ideological violence. --- nationalistic and racist violence.
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This Element covers the art produced in early medieval England from the departure of the Romans to the early twelfth century, an art that shows the input of multi-ethnic artists, patrons, and influences as it develops over the centuries. Art in early medieval England is an art of migrants and colonisers and the Element considers the way in which it was defined and developed by the different groups that travelled to or settled on the island. It also explores some of the key forms and images that define the art of the period and the role of both material and artist/patron in their creation. Art is an expression of identity, whether individual, regional, national, religious, or institutional, and this volume sheds light on the way art in early medieval England was and continues to be used to define particular identities, including that of the island on which it was produced.
Art, Medieval --- Art and society --- History --- Art --- Art and sociology --- Society and art --- Sociology and art --- Medieval art --- Social aspects
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Anglo-Saxons. --- Archaeology, Medieval --- Excavations (Archaeology) --- England --- England --- Great Britain --- Antiquities. --- Civilization --- History
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A powerful claim for the virtues of a more thoughtful and collegiate approach to the academy today.
Sociology of culture --- Higher education --- anno 500-1499 --- United Kingdom --- Civilization, Medieval --- Learning and scholarship. --- Education, Higher --- Universities and colleges. --- Slow life movement. --- Neoliberalism. --- Middle Ages --- Academic Culture. --- Academics. --- Accountability. --- Bureaucracy. --- Collaboration. --- Education. --- Higher Education. --- Research. --- Responsibility. --- Slow Looking. --- Slow Reading. --- Slow Thinking. --- Slow Writing. --- Time. --- Study and teaching (Higher) --- Aims and objectives.
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Sociology --- Art --- art [discipline] --- history [discipline] --- Medieval [European] --- anno 500-1499 --- England
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Archeology --- anno 500-1499 --- England
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Art --- English literature --- History of the United Kingdom and Ireland --- anno 400-499 --- anno 500-1199 --- Great Britain
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