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The Kitans established the Liao dynasty in northern China, which lasted for over two centuries (916-1125). In this survey the reader will find what is currently known about the Kitan language and scripts. The language was very likely distantly related to Mongolian, with two quite different scripts in use. A few generations after their state was defeated, almost all trace of the Kitan spoken and written languages disappeared, except a few words in Chinese texts. Over the past few decades, however, inscriptions from the tombs of the Liao emperors and the Kitan aristocracy have been at least partially deciphered, resulting in a significant increase of our knowledge of the Kitan lexicon, morphology and syntax.

Khitan language -- Writing. --- Khitan language. --- Altaic languages. --- Altaic languages --- Langues altaïques --- S23/0400 --- S25/0400 --- Mongolia and the Mongols (including Tannu Tuva, Buriats)--Mongolian languages: general --- Xinjiang--Turkish languages --- Langues altaïques --- Chinese language --- Chinois (Langue) --- Writing. --- Ecriture --- Khitan language --- Kitan language --- Liao language --- Mongolian languages --- Morphology. --- Syntax. --- China --- History

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During the late 1960s, throughout the 1970s, and into the 1980s, New York City poets and musicians played together, published each other, and inspired one another to create groundbreaking art. In "Do You Have a Band?", Daniel Kane reads deeply across poetry and punk music to capture this compelling exchange and its challenge to the status of the visionary artist, the cultural capital of poetry, and the lines dividing sung lyric from page-bound poem.Kane reveals how the new sounds of proto-punk and punk music found their way into the poetry of the 1960s and 1970s downtown scene, enabling writers to develop fresh ideas for their own poetics and performance styles. Likewise, groups like The Fugs and the Velvet Underground drew on writers as varied as William Blake and Delmore Schwartz for their lyrics. Drawing on a range of archival materials and oral interviews, Kane also shows how and why punk musicians drew on and resisted French Symbolist writing, the vatic resonance of the Beat chant, and, most surprisingly and complexly, the New York Schools of poetry. In bringing together the music and writing of Richard Hell, Patti Smith, and Jim Carroll with readings of poetry by Anne Waldman, Eileen Myles, Ted Berrigan, John Giorno, and Dennis Cooper, Kane provides a fascinating history of this crucial period in postwar American culture and the cultural life of New York City.

American poetry --- Punk rock music --- Punk culture --- History and criticism. --- History --- New York (N.Y.) --- Intellectual life

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Chinese language --- Jurchen language

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Money market. Capital market --- International finance --- Business cycles --- Organization of the Petroleum Exporting Countries --- Euro-dollar market --- 339.737 --- 338.124.4 --- AA / International- internationaal --- 382.242.4 --- 333.662 --- Eurocurrency market --- Market, Euro-dollar --- Banks and banking, International --- Foreign exchange --- Monetaire zones. Valutazones. Ecu. Euromoney. Dollarzone. Sterlingzone --- Conjunctuurtheorie. Hoogconjunctuur. Laagconjunctuur. Depressie. Recessie. Crisis --- Eurodollars. Petrodollars. Euro-munten. Euro-uitgiften. --- Internationale uitgiften van effecten. Euro-uitgiften. --- 339.737 Monetaire zones. Valutazones. Ecu. Euromoney. Dollarzone. Sterlingzone --- 338.124.4 Conjunctuurtheorie. Hoogconjunctuur. Laagconjunctuur. Depressie. Recessie. Crisis --- International monetary system --- International money --- Finance --- International economic relations --- Internationale uitgiften van effecten. Euro-uitgiften --- Eurodollars. Petrodollars. Euro-munten. Euro-uitgiften

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