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Images of Miraculous Healing in the Early Modern Netherlands explores the ways in which paintings and prints of biblical miracles shaped viewers' approaches to physical and sensory impairments and bolstered their belief in supernatural healing and charitable behavior. Drawing upon a vast range of sources, Kaminska demonstrates that visual imagery held a central place in premodern disability discourses, and that the exegesis of New Testament miracle stories determined key attitudes toward the sick and the poor. Addressed to middle-class collectors, many of the images analyzed in this study have hitherto been neglected by art historians.
Iconography --- miracles --- visual culture --- Jesus Christ --- anno 1500-1799 --- Netherlands --- Flanders --- Art and society --- Art, Dutch --- Art, Flemish --- Healing in art --- Miracles in art --- History --- Themes, motives --- Miracles. --- Dutch art --- Nieuwe Ploeg (Group of artists) --- Ploeg (Group of artists) --- Art --- Art and sociology --- Society and art --- Sociology and art --- Flemish art --- Social aspects --- Christ --- Cristo --- Jezus Chrystus --- Jesus Cristo --- Jesus, --- Christ, Jesus --- Yeh-su --- Masīḥ --- Khristos --- Gesù --- Christo --- Yeshua --- Chrystus --- Gesú Cristo --- Ježíš --- Isa, --- Nabi Isa --- Isa Al-Masih --- Al-Masih, Isa --- Masih, Isa Al --- -Jesus, --- Jesucristo --- Yesu --- Yeh-su Chi-tu --- Iēsous --- Iēsous Christos --- Iēsous, --- Kʻristos --- Hisus Kʻristos --- Christos --- Jesuo --- Yeshuʻa ben Yosef --- Yeshua ben Yoseph --- Iisus --- Iisus Khristos --- Jeschua ben Joseph --- Ieso Kriʻste --- Yesus --- Kristus --- ישו --- ישו הנוצרי --- ישו הנצרי --- ישוע --- ישוע בן יוסף --- المسيح --- مسيح --- يسوع المسيح --- 耶稣 --- 耶稣基督 --- 예수그리스도 --- Jíizis --- Yéshoua --- Iėsu̇s --- Khrist Iėsu̇s --- عيسىٰ --- Miracles (surnaturel) --- Guérison par la foi --- Dans l'art. --- Jésus-Christ --- Guérison par la foi --- Art and society. --- Christelijke kunst --- genezing --- Jésus-Christ -- Pays-Bas --- Guérison par la foi -- Pays-Bas --- Miracles (surnaturel) -- Pays-Bas --- Art et société -- Pays-Bas --- Miracle --- XVIe-XVIIIe s. -- 1501-1800 --- Christianisme --- Pays-Bas
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Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.
Painting, Netherlandish --- Conversation --- Dinners and dining --- Art and society --- Themes, motives --- History --- Bruegel, Pieter, --- Criticism and interpretation. --- Bible --- Antwerp (Belgium) --- Intellectual life --- Art --- Art and sociology --- Society and art --- Sociology and art --- Banquets --- Dining --- Eating --- Meals --- Caterers and catering --- Entertaining --- Etiquette --- Cooking --- Gastronomy --- Menus --- Table --- Talking --- Colloquial language --- Oral communication --- Netherlandish painting --- Social aspects --- Bruegel, Pieter --- Brueghel, Pieter --- Breugel, Pieter --- Breughel, Pieter --- Bolugaier --- Breĭgelʹ, Piter --- Brʹogel, Piter --- Broigel, Peṭer --- Breughel de Oude, Pieter --- Bruegel, Pierre --- Bruegel, --- Bryūgeru, Pītā --- Po-lu-kai-erh --- ברויגל, פיטר --- Anṿerśah (Belgium) --- Anṭṿerpen (Belgium) --- Antwerpen (Belgium) --- Antuerpia (Belgium) --- Anvers (Belgium) --- Anversa (Belgium) --- Antwerpia (Belgium) --- Anwerpia (Belgium) --- Andowerpia (Belgium) --- Amberes (Belgium) --- Antverpia (Belgium) --- Ambivaritum (Belgium) --- Anderpus (Belgium) --- Andevorpum (Belgium) --- Andoverpis (Belgium) --- Andoverpum (Belgium) --- Antwerpha (Belgium) --- Antwerpium (Belgium) --- Antwerpo (Belgium) --- Antwerpum (Belgium) --- Handoverpia (Belgium) --- Andwerpa (Belgium) --- Antverpis (Belgium) --- Antverpo (Belgium) --- Antverpum (Belgium) --- אנטווערפען --- Conversation. --- Themes, motives. --- Aesthetics of art --- Painting --- History of civilization --- social history --- urban history --- religious art --- Bruegel, Pieter [Elder] --- Antwerp --- Grisaille painting --- Christian art and symbolism --- Illustrations.
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medicine [discipline] --- allegory [artistic device] --- Goltzius, Hendrick
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Barbara Kaminska’s Pieter Bruegel the Elder: Religious Art for the Urban Community is the first book-length study focusing on religious paintings by one of the most captivating Netherlandish artists, long celebrated for his secular imagery. In a period marked by a profound religious, economic, and cultural transformation, Bruegel offered his sophisticated urban audience complex biblical images that required an engaged, active viewing, not only sparking learned dinner conversations, but facilitating the negotiation of values seen as critical to maintaining a harmonious society. By considering the novelty of Bruegel’s panels used in convivia alongside his small, intimate grisaille compositions, this study ultimately shows that Bruegel renewed the idiom of religious painting, successfully preserving its ritualistic and meditative functions.
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art history --- historiography --- deaf --- mutes [people] --- physically handicapped
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deaf --- mutes [people] --- churches [institutions] --- communities [inhabited places] --- portraits --- Jansz. de Stomme, Jan
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