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Canadian literature --- Littérature canadienne --- Minority authors --- History and criticism --- Auteurs issus des minorités --- Histoire et critique --- Emigration and immigration in literature --- Ethnic groups in literature --- Immigrants in literature --- Minorities in literature --- #KOHU:CANADIANA 2000 --- 820 <71> --- Minorities as a theme in literature --- Canadian literature (English) --- English literature --- 820 <71> Engelse literatuur--Canada --- Engelse literatuur--Canada --- Minority authors&delete& --- Canada --- Emigration and immigration.

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Barbara Godard has long been one of the most influential readers of Canadian literature. Much of the force of her work comes from her meticulous and relentless attention to the networks that produce both the texts and events we study and the methods through which we read them. Whether writing about feminist theory, orality and Native women writers, or the exigencies of the cultural field, she has been instrumental in interrogating, time and time again, the normative ways in which we think about Canadian culture. From the function of literature to the materiality of institutions and periodicals, from the theory and practice of translation to the interrelations between English- and French-Canadian literatures, her critical interventions have drastically reconceptualized our inherited understandings of Canadian culture as it relates to the world at large.

Canadian literature --- French-Canadian literature --- Literature and society --- Culture in literature. --- History and criticism. --- Culture in literature --- #KOHU:CANADIANA --- 820 <71> --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- 820 <71> Engelse literatuur--Canada --- Engelse literatuur--Canada --- History and criticism --- Social aspects --- Littérature canadienne --- Littérature et société --- Histoire et critique --- Canada --- Littérature canadienne --- Littérature et société

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Critical Collaborations: Indigeneity, Diaspora, and Ecology in Canadian Literary Studies is the third volume of essays produced as part of the TransCanada conferences project. The essays gathered in Critical Collaborations constitute a call for collaboration and kinship across disciplinary, political, institutional, and community borders. They are tied together through a simultaneous call for resistance--to Eurocentrism, corporatization, rationalism, and the fantasy of total systems of knowledge--and a call for critical collaborations. These collaborations seek to forge connections without perceived identity--linking concepts and communities without violating the differences that constitute them, seeking epistemic kinships while maintaining a willingness to not-know. In this way, they form a critical conversation between seemingly distinct areas and demonstrate fundamental allegiances between diasporic and indigenous scholarship, transnational and local knowledges, legal and eco-critical methodologies. Links are forged between Indigenous knowledge and ecological and social justice, creative critical reading, and ambidextrous epistemologies, unmaking the nation through translocalism and unsettling histories of colonial complicity through a poetics of relation. Together, these essays reveal how the critical methodologies brought to bear on literary studies can both challenge and exceed disciplinary structures, presenting new forms of strategic transdisciplinarity that expand the possibilities of Canadian literary studies while also emphasizing humility, complicity, and the limits of knowledge.

Canadian literature --- Criticism --- Literature and society --- Literature --- Literature and sociology --- Society and literature --- Sociology and literature --- Sociolinguistics --- Evaluation of literature --- Literary criticism --- Rhetoric --- Aesthetics --- Canadian literature (English) --- English literature --- History and criticism --- Theory, etc. --- Social aspects --- Technique --- Evaluation --- Canadian literature. --- Diaspora. --- Eco-criticism. --- Indigeneity. --- Interdisciplinarity.

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Canadian literature --- Literature and globalization --- Literature and state --- Minority authors --- History and criticism

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This collection of essays focuses on the varied and complex roles that editors have played in the production of literary and scholarly texts in Canada. With contributions from a wide range of participants who have played seminal roles as editors of Canadian literatures-from nineteenth-century works to the contemporary avant-garde, from canonized texts to anthologies of so-called minority writers and the oral literatures of the First Nations-this collection is the first of its kind. Contributors offer incisive analyses of the cultural and publishing politics of editorial practices that question inherited paradigms of literary and scholarly values. They examine specific cases of editorial production as well as theoretical considerations of editing that interrogate such key issues as authorial intentionality, textual authority, historical contingencies of textual production, circumstances of publication and reception, the pedagogical uses of edited anthologies, the instrumentality of editorial projects in relation to canon formation and minoritized literatures, and the role of editors as interpreters, enablers, facilitators, and creators. Editing as Cultural Practice in Canada situates editing in the context of the growing number of collaborative projects in which Canadian scholars are engaged, which brings into relief not only those aspects of editorial work that entail collaborating, as it were, with existing texts and documents but also collaboration as a scholarly practice that perforce involves co-editing.

Editors --- Editing --- Persons --- Authorship --- Political aspects --- Social aspects