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Mural painting and decoration, Byzantine --- Mural painting and decoration --- Hagia Trias (Church), Kranídhion, Greece. --- Bible --- Illustrations.

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This volume is a contribution to the ongoing scholarly dialogue on a crucial topic, viz. the relations between East and West and their reflection in art and culture in late medieval Greece.00Based on the evidence of artistic production and material culture this collective volume aims at exploring cross-cultural relations and interaction between Greeks and Latins in late medieval Greece in the aftermath of the Fourth Crusade. Fourteen essays discuss mostly new and unpublished archaeological and artistic material, including architecture, sculpture, wall-paintings and icons, pottery and other small finds, but also the evidence of music and poetry. Through the surviving material of these artistic activities this volume explores the way Byzantines and Latins lived side by side on the Greek mainland and the Aegean islands from the thirteenth to the fifteenth centuries and traces the mechanisms that led to the emergence of the new, composite world of the Latin East. Issues of identity, patronage, papal policy, the missionary activities of the Latin religious orders and the reactions and responses of the Byzantines are also re-considered, offering fresh insights into and a better understanding of the various manifestations of the interrelationship between the two ethnicities, confessions and cultures.

Art, Byzantine --- Art, Medieval --- Christian art and symbolism --- Material culture --- History --- Byzantine Empire --- Greece --- Relations. --- Art byzantin --- Art médiéval --- Art, Byzantine. --- Art, Medieval. --- Civilization --- International relations. --- Material culture. --- Medieval. --- European influences. --- To 1500. --- Byzantine Empire. --- Empire latin, 1204-1261 --- Europe --- Greece. --- Grèce --- Latin Empire, 1204-1261 --- Histoire

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"Art and Archaeology in Byzantium and Beyond consists of 21 papers, which represent the breadth of the research interests of Sophia Kalopissi-Verti and Maria Panayotidi-Kesisoglou, to whom this volume is dedicated. The chapters have been divided into four sections and each is set in chronological order. The first section is dedicated to Byzantine and Post-Byzantine painting, including papers on wall-paintings and icon paintings. The second section contains four papers on Byzantine sculpture, showcasing examples from different regions of the Byzantine Empire. The third section concerns material culture (coinage and minor arts). The fourth and final section concerns architecture and topography in Byzantium and beyond. It tackles matters of topography in Byzantine cities and pilgrimage sites, and investigates aspects of Byzantine architecture and its perception. Overall, this volume offers new perspectives on familiar topics, as well as new material for discussion."--Back cover.

Archaeology --- Archaeology. --- Art, Byzantine. --- Arts, Byzantine --- Material culture --- Byzantine Empire --- Byzantine Empire. --- History. --- Painting, Byzantine --- Architecture, Byzantine --- Sculpture, Byzantine. --- Byzantine antiquities --- Art, Byzantine

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"Der vorliegende Sammelband - der erste, der zur Gänze Aspekten der byzantinistischen Epigraphik gewidmet ist - umfasst in erster Linie Beiträge zweier internationaler Konferenzen (Wien 2010, Sofia 2011). Er gliedert sich in vier Abschnitte und versammelt unter anderem folgende Artikel: Nach einem einführenden Beitrag über die 'Geschichte' der byzantinistischen Epigraphik versucht Cyril Mango den Terminus "Byzantinische Inschrift" und seine Grenzen zu definieren. Vincent Debiais liefert interessante Beobachtungen anhand eines Vergleichs von westlichen und byzantinischen Inschriften. Der zweite Abschnitt des Buches trägt den Titel 'Methods of Editing Byzantine Inscriptions': Während der Beitrag Peter Schreiners die dringende Notwendigkeit einer neuen epigraphischen Initiative innerhalb der Byzantinistik betont, beschreibt Walter Koch detailliert die westlichen Inschriftenprojekte. Sowohl Guglielmo Cavallo als auch Erkki Sironen diskutieren Editionsrichtlinien, während Charlotte Roueché die Vorteile von Online-Corpora beschreibt. Joel Kalvesmaki stellt das kürzlich publizierte epigraphische Font 'Athena Ruby' vor. Der dritte Abschnitt umfasst Artikel, die über laufende epigraphische Projekte berichten: Zwei in Griechenland durchgeführte Projekte werden als Datenbank publiziert werden. Maria Xenaki diskutiert den epigraphischen Reichtum Kappadokiens und die kaum analysierten Graffiti. Der letzte Abschnitt ist Fallstudien gewidmet, deren Inhalt von der Spätantike (Sencer Şahin, Mustafa Sayar) bis in mittel- und spätbyzantinische Zeit reicht (Ida Toth, Linda Safran). "-- "The present book, the first collective volume entirely devoted to aspects of Byzantine epigraphy, mainly comprises papers delivered at two international meetings (Vienna 2010, Sofia 2011). The book is divided into four sections and includes among others the following contributions: after an introductory article about the 'history' of the discipline of Byzantine epigraphy Cyril Mango tries to define the term 'Byzantine inscription' and its limits. Vincent Debiais offers some interesting observations by comparing medieval Latin inscriptions from the West with Byzantine epigraphic traditions. The second section of the book bears the title 'Methods of Editing Byzantine Inscriptions': while the paper of Peter Schreiner discusses the urgent necessity of creating a new epigraphic initiative within Byzantine Studies, Walter Koch describes the Western medieval inscription projects in detail. Both Guglielmo Cavallo and Erkki Sironen discuss editorial guidelines while Charlotte Roueché stresses the advantages of creating online-corpora, and Joel Kalvesmaki describes his recently published epigraphic font 'Athena Ruby'. The third section covers articles which report current epigraphic projects: two projects from Greece presented will be published within databases. Maria Xenaki discusses the epigraphic wealth of Cappadocia and its hardly studied graffiti. The last section is devoted to case studies articles. Their content ranges from Late Antiquity (Sencer Şahin, Mustafa Sayar) until the middle and the late Byzantine period (Ida Toth, Linda Safran)."--

Inscriptions grecques byzantines --- Inscriptions grecques --- Bibliographie analytique --- Inscriptions, Byzantine --- Bibliographie analytique. --- Congresses. --- Empire byzantin. --- Inscriptions, Byzantine. --- Inschrift. --- Mittelgriechisch. --- Epigraphik. --- Byzantinisches Reich. --- Inscriptions byzantines --- Inschriftenkunde --- Epigrafik --- Historische Hilfswissenschaften --- Inschrift --- Epigraphiker --- Byzantinisch-Griechisch --- Byzantinisch Griechisch --- Griechisch --- Epigraph --- Inschriften --- Epigraf --- Schriftdenkmal --- Epigraphik --- Byzantine inscriptions --- Oströmisches Reich --- Reich Byzanz --- Imperium Byzantium --- Imperium Byzantinum --- Ostrom --- Rhomaioi --- Romäer --- 395-1453 --- Inscriptions, Byzantine - Congresses --- Epigraphie byzantine