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A panoramic, state-of-the-art handbook destined to chart a course for future work in the field of early modern Hispanic theater studies. It begins in the closet with an essay on Celestina as closet drama and moves out into the court to explore intersections with courtly love. An essay on the comedia and the classics demonstrates this genre’s firm grounding in the classical tradition, despite Lope de Vega’s famous protestations to the contrary. Distinct but related genres such as the autos sacramentales and the entremeses also make an appearance. The traditional themes of honor and wife-murder share the stage with less familiar topics like the incorporation of animals into performance. This volume covers the urban space of the city in Spain and Portugal as well as uncharted territories in the New World and Japan. Essays on emblems and the picaresque round out this anthology, along with studies of theatrical representations of early modern innovations in science and technology. The book concludes with two different psychoanalytical approaches, focused on melancholy and Lacanian tragedy, respectively. This collection incorporates the work of younger scholars along with established names in the field to synthesize the most exciting recent work on the comedia and related forms of early modern Hispanic theatrical production. Contributors include: Ignacio Arellano, Frederick de Armas, Henry Sullivan, Edward Friedman, A. Robert Lauer, Manuel Delgado, Adrienne Martín, Enrique García Santo Tomás, Matthew Stroud, Teresa Scott Soufas, Enrique Fernández, María Mercedes Carrión, Robert Bayliss, Ted Bergman, Cory Reed, Maryrica Lottman, Christina Lee, and Enrique Duarte.

drama [literature] --- Drama --- literature [writings] --- Spanish literature --- Spanish Renaissance-Baroque styles --- anno 1500-1599 --- Spanish drama --- History and criticism --- History and criticism. --- Spanish drama - Classical period, 1500-1700 - History and criticism --- drama [discipline] --- literature [documents]

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Exorcism and demonic possession appear as recurrent motifs in early modern Spanish and English literatures. In Exorcism and Its Texts, Hilaire Kallendorf demonstrates how this 'infection' was represented in some thirty works of literature by fifteen different authors, ranging from canonical classics like Shakespeare, Cervantes, Ben Jonson, and Lope de Vega, to obscure works by anonymous writers. From comic and tragic drama to picaresque narrative and eight other genres, possession worked as a paradigm through which authors could convey extraordinary experience, including not only demonic possession but also madness or even murder. The devil was thought to be able to enter the bodily organs and infect memory, imagination, and reason. Some came to believe that possession was tied to enthusiasm, poetic frenzy, prophecy, and genius. Authors often drew upon sensational details of actual exorcisms. In some cases, such as in Shakespeare, curing the body (and the body politic) meant affirming cultural authority; in others, as with Zamora, it clearly meant subverting it. Drawing on the disciplines of literary theory and history, Exorcism and its Texts is the first comprehensive study of this compelling topic.

Body [Human ] in literature --- Corps humain dans la littérature --- Demoniac possesion in literature --- Demonische bezetenheid in de literatuur --- Exorcism in literature --- Exorcisme dans la littérature --- Exorcisme in de literatuur --- Human body in literature --- Lichaam [Menselijk ] in de literatuur --- Menselijk lichaam in de literatuur --- Possession démoniaque dans la littérature --- Subjectiviteit in de literatuur --- Subjectivity in literature --- Subjectivité dans la littérature --- Christianity and literature --- Comparative literature --- Demoniac possession in literature. --- English literature --- Exorcism in literature. --- Human body in literature. --- Spanish literature --- Subjectivity in literature. --- English and Spanish. --- Spanish and English. --- History and criticism. --- Body, Human, in literature --- Human figure in literature --- Literature and Christianity --- Literature --- Christian literature --- History and criticism --- Early modern, 1500-1700 --- Classical period, 1500-1700 --- Literature [Comparative ] --- English and Spanish --- Spanish and English --- England --- Spain --- Architecture --- Buildings --- History. --- Toronto (Ont.) --- Buildings, structures, etc. --- Edifices --- Halls --- Structures --- Architecture, Western (Western countries) --- Building design --- Construction --- Western architecture (Western countries) --- Art --- Building --- Design and construction --- City of Toronto (Ont.) --- Corporation of the City of Toronto (Ont.) --- Duolunduo (Ont.) --- Horad Taronta (Ont.) --- Taronta (Ont.) --- Tô-lùn-tô (Ont.) --- Töront (Ont.) --- Torontas (Ont.) --- Torontu (Ont.) --- Torontum (Ont.) --- Tūrantū (Ont.) --- Tūrintū (Ont.) --- Tūruntū (Ont.) --- Τορόντο (Ont.) --- Таронта (Ont.) --- Торонто (Ont.) --- Горад Таронта (Ont.) --- טאראנטא (Ont.) --- טורונטו (Ont.) --- تورنتو (Ont.) --- トロント (Ont.) --- 多伦多 (Ont.) --- 토론토 (Ont.) --- York (Upper Canada) --- Metropolitan Toronto (Ont.) --- Architecture, Primitive --- Built environment --- Spanisch. --- Englisch. --- Spain. --- England. --- Angleterre --- Anglii͡ --- Anglija --- Engeland --- Inghilterra --- Inglaterra --- Espagne --- Espainiako Erresuma --- España --- Espanha --- Espanja --- Espanya --- Estado Español --- Hispania --- Hiszpania --- Isupania --- Kingdom of Spain --- Regne d'Espanya --- Reiaume d'Espanha --- Reino de España --- Reino d'Espanya --- Reinu d'España --- Sefarad --- Sepharad --- Shpanie --- Shpanye --- Spanien --- Spanish State --- Supein

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It is no accident that some variation of the question 'What should I do?' appears in over three-quarters of the comedic plays of the Spanish Golden Age. Casuistical dialogue was a concern, even an obsession, of Spanish playwrights during the seventeenth century, many of whom were educated by Jesuit casuists. Conscience on Stage is a study of casuistry or case morality as the foundation for a poetics of seventeenth-century Spanish comedias.Hilaire Kallendorf examines the Jesuit upbringing and casuistical education of major playwrights of the Spanish Golden Age, many of whom were also priests, and introduces the vocabulary of casuistry, as expressed in both confessors' manuals and in stage plays. Engaging issues of class, gender, and age to explore scenes of advice-giving and receiving, she demonstrates how the culture-specific construct of 'conscience' in early modern Spain can be recovered by means of a Foucauldian genealogy, which enlists the skills of philology at the service of a larger vision of the history of ideas. This study outlines and reiterates the relationship of theatre to casuistry, the Jesuit contributions to Spanish literary theory and practice, and the importance of casuistry for the study of early modern subjectivity.

Spanish drama (Comedy) --- Spanish drama --- Christianity in literature. --- Casuistry in literature. --- Casuistry. --- Conscience in literature. --- Confession in literature. --- Confession (Liturgy) --- Penitential celebrations --- Penitential rites --- Cases of conscience --- Christian ethics --- Ethics --- Scholasticism --- Applied ethics --- History and criticism. --- Catholic Church --- History

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Chastity and lust, charity and greed, humility and pride, are but some of the virtues and vices that have been in tension since Prudentius' Psychomachia, written in the fifth century. While there has been widespread agreement within a given culture about what exactly constitutes a virtue or a vice, are these categories so consistent after all? In Ambiguous Antidotes, Hilaire Kallendorf explores the receptions of Virtues in the realm of moral philosophy and the artistic production it influenced during the Spanish Golden Age. Using the Derridian notion of pharmakon, a powerful substance that can serve as poison and cure, Kallendorf's original and pioneering insight into five key Virtues (justice, fortitude, chastity, charity, and prudence) reveals an intriguing but messy relationship. Rather than being seen as unambiguously good antidotes, the Virtues are instead contested spaces where competing sets of values jostled for primacy and hegemony. Employing an arsenal of tools drawn from literary theory and cultural studies, Ambiguous Antidotes confirms that you can in fact have too much of a good thing.

Spanish drama --- Virtues in literature. --- History and criticism.

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The queenship of the first European Renaissance queen regnant never ceases to fascinate. Was she a saint or a bigoted zealot? A pious wife or the one wearing the pants? Was she ultimately responsible for genocide? A case has been made to canonize her. Does she deserve to be called Saint Isabel? As different groups from fascists to feminists continue to fight over Isabel as cultural capital, we ask which (if any) of these recyclings are legitimate or appropriate. Or has this figure taken on a life of her own? Contributors to this volume: Roger Boase, David A. Boruchoff, John Edwards, Emily Francomano, Edward Friedman, Cristina Guardiola-Griffiths, Michelle Hamilton, Elizabeth Teresa Howe, Hilaire Kallendorf, William D. Phillips, Jr., Nuria Silleras-Fernandez, Caroline Travalia, and Jessica Weiss.

Queens --- Kings and rulers.  --- Isabella --- Religion. --- Spain --- History --- Kings and rulers