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Settling the Score is intended for general readers with minimal technical musical and contemporary theoretical skills. Kalinak's goal is, in fact, to 'settle the score' between the cinematic visual and aural, to promote music as an equal partner to the visual. In order to do so she provides a brief but illuminating historical summary of sound and music in film. Kalinak's strongest sections include a detailed discussion of the differences between music for silent films and sound films, and analyses of several different stylistic approaches toward musical composition in the Classical Hollywood film. Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's Captain Blood, Max Steiner's The Informer, Bernard Herrmann's The Magnificent Ambersons, and David Raksin's Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams' The Empire Strikes Back and Basil Poledouris' RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.
Motion pictures --- Cinéma américain --- --Musique --- --Motion picture music --- Film, Musique de --- History and criticism. --- Histoire et critique --- Motion picture music --- Music --- Film --- anno 1900-1999 --- United States --- History and criticism --- Musique de film --- Histoire et critique. --- --Musique de film --- Musique --- United States of America
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Motion picture music --- Film, Musique de --- History and criticism. --- Histoire et critique --- History and criticism
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James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns-from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers -Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.
Motion picture music --- History and criticism. --- Ford, John, --- O'Feeney, Sean, --- O'Fearna, Sean Aloysius, --- O'Fienne, Sean Aloysius, --- Feeney, John Martin, --- Ford, Jack, --- Criticism and interpretation. --- 82:791.43 --- 82:791.43 Literatuur en film --- Literatuur en film --- History and criticism --- Ford, John --- O'Feeney, Sean --- O'Fearna, Sean Aloysius --- O'Fienne, Sean Aloysius --- Feeney, John Martin --- Ford, Jack --- 20th century american film. --- american cinema. --- american film director. --- american filmmakers. --- american folk music. --- american folk songs. --- american west. --- biographical. --- cinema. --- film criticism. --- film studies. --- film. --- hollywood. --- hymnody. --- john ford. --- movie studies. --- movie. --- music in film. --- music. --- my darling clementine. --- old west. --- period music. --- stagecoach. --- the iron horse. --- the man who shot liberty valance. --- the searchers. --- western films. --- western united states. --- westerns.
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This title provides a lucid, accessible, and engaging overview of the subject of film music. Beginning with an analysis of the music from a well-known sequence in the film 'Reservoir Dogs' the book focuses on the most central issues in the practice of film music.
Motion picture music --- Dramatic music --- History and criticism.
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Sound in motion pictures. --- Motion picture music. --- Motion pictures --- Dialogue in motion pictures. --- Motion pictures --- Son au cinéma --- Film, Musique de --- Cinéma --- Dialogue au cinéma --- Cinéma --- Sound effects. --- Production and direction. --- Son --- Production et réalisation
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