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book (8)


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Settling the score : music and the classical Hollywood film
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ISBN: 9780299133641 0299133648 0299133605 Year: 1992 Volume: *1 Publisher: Madison : University of Wisconsin Press,

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Settling the Score is intended for general readers with minimal technical musical and contemporary theoretical skills. Kalinak's goal is, in fact, to 'settle the score' between the cinematic visual and aural, to promote music as an equal partner to the visual. In order to do so she provides a brief but illuminating historical summary of sound and music in film. Kalinak's strongest sections include a detailed discussion of the differences between music for silent films and sound films, and analyses of several different stylistic approaches toward musical composition in the Classical Hollywood film. Beginning with the earliest experiments in musical accompaniment carried out in the Edison Laboratories, Kathryn Kalinak uses archival material to outline the history of American music and film. Focusing on the scores of several key composers of the sound era, including Erich Wolfgang Korngold's Captain Blood, Max Steiner's The Informer, Bernard Herrmann's The Magnificent Ambersons, and David Raksin's Laura, Kalinak concludes that classical scoring conventions were designed to ensure the dominance of narrative exposition. Her analyses of contemporary work such as John Williams' The Empire Strikes Back and Basil Poledouris' RoboCop demonstrate how the traditions of the classical era continue to influence scoring practices today.


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Film music : a very short introduction
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ISBN: 9780195370874 0195370872 Year: 2010 Publisher: Oxford Oxford university press

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Music in the Western : notes from the frontier
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ISBN: 9780415882279 Year: 2012 Publisher: New York London Routledge

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How the West Was Sung : Music in the Westerns of John Ford
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ISBN: 1282772236 9786612772238 0520941071 1435611403 9780520941076 9781435611405 1433708876 9781433708879 9780520252332 0520252330 9780520252349 0520252349 9781282772236 6612772239 Year: 2007 Publisher: Berkeley, CA : University of California Press,

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James Stewart once said, "For John Ford, there was no need for dialogue. The music said it all." This lively, accessible study is the first comprehensive analysis of Ford's use of music in his iconic westerns. Encompassing a variety of critical approaches and incorporating original archival research, Kathryn Kalinak explores the director's oft-noted predilection for American folk song, hymnody, and period music. What she finds is that Ford used music as more than a stylistic gesture. In fascinating discussions of Ford's westerns-from silent-era features such as Straight Shooting and The Iron Horse to classics of the sound era such as My Darling Clementine and The Searchers -Kalinak describes how the director exploited music, and especially song, in defining the geographical and ideological space of the American West.


Book
Film music
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ISBN: 9786612501012 0199707979 1282501011 9780199707973 9780199746040 0199746044 9780195370874 0195370872 Year: 2010 Publisher: Oxford New York Oxford University Press

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This title provides a lucid, accessible, and engaging overview of the subject of film music. Beginning with an analysis of the music from a well-known sequence in the film 'Reservoir Dogs' the book focuses on the most central issues in the practice of film music.


Book
Sound : dialogue, music, and effects
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ISBN: 9780813564265 9780813564272 Year: 2015 Publisher: New Brunswick, New Jersey : Rutgers University Press,

Settling the score : music and the classical Hollywood film
Author:
ISBN: 029913363X 9780299133634 9780299133603 0299133605 9780299133641 0299133648 0299133605 0299133648 Year: 1992 Publisher: Madison, Wis. : University of Wisconsin Press,

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Book
Sound
Authors: --- --- --- --- --- et al.
ISBN: 9780813564289 Year: 2015 Publisher: New Brunswick, NJ

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