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"Vincent van Gogh's (1853-1890) idiosyncratic style grew out of a deep admiration for and connection to the 19th-century art world. This fresh look at Van Gogh's influences explores the artist's relationship to the Barbizon School painters Jean-François Millet and Georges Michel-Van Gogh's self-proclaimed mentors-as well as to Realists like Jean-François Raffaëlli and Léon Lhermitte. New scholarship offers insights into Van Gogh's emulation of Adolphe Monticelli, his absorption of the Hague School through Anton Mauve and Jozef Israëls, and his keen interest in the work of the Impressionists. This copiously illustrated volume also discusses Van Gogh's allegiance to the colorism of Eugène Delacroix, as well as his alliance with the Realist literature of Charles Dickens and George Eliot"--
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Picasso, Pablo --- Braque, Georges --- kubisme --- techniek --- 1910 - 1912 --- 20ste eeuw --- kubisme. --- techniek. --- Picasso, Pablo. --- Braque, Georges. --- 1910 - 1912. --- 20ste eeuw.
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"Today, repetitive imagery dominates all forms of visual experience, from the realm of advertising to the spaces of contemporary art. In this innovative project, the authors show that the phenomenon of repetition - often considered merely incidental to the age of mechanical reproduction - was a pervasive attribute of early modern painting long before its embrace by twentieth-century high modernism." "In works by David, Ingres, Delaroche, Gerome, Corot, Millet, Monet, Cezanne, Degas, and Matisse, the reader can compare closely related versions of some of the most familiar imagery of the nineteenth and early twentieth centuries. The authors demonstrate that by making multiples of closely related subject matter in their paintings and in other media, these artists challenged an aesthetic based on the notion of an inimitable, unique masterpiece." "Through beautiful illustrations and essays by leading scholars, this book shows how repetition in early modern painting took on a complex, multivalent significance and that the traditional medium of painting remained undiminished despite the nineteenth-century invention of photography and film."--Jacket.
Painting --- anno 1700-1799 --- anno 1800-1999 --- France --- Painting, French --- Repetition (Aesthetics) --- CDL --- 75.035/036 --- Aesthetics
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hofkunst --- Vallayer-Coster, Anne --- Chardin, Jean Baptiste Siméon --- Marie-Antoinette (koningin van Frankrijk) --- 18de eeuw
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