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Comic books, strips, etc --- Graphic novels --- History and criticism. --- Comic books, strips, etc. --- History and criticism --- Comic books, strips, etc. - History and criticism --- Graphic novels - History and criticism --- 82-931 --- 070.84 --- 741.5 --- 741.5 Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- Spotprenten. Karikaturen. Cartoons. Striptekeningen. Satirische tekeningen --- 070.84 Comics. Stripverhalen--(in de krant) --- Comics. Stripverhalen--(in de krant) --- 82-931 Stripverhaal --- Stripverhaal

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" When the novel broke into cultural prominence in the eighteenth century, it became notorious for the gripping, immersive style of its narratives. In this book, Karin Kukkonen explores this phenomenon through the embodied style in Eliza Haywood's flamboyant amatory fiction, Charlotte Lennox's work as a cultural broker between Britain and France, Sarah Fielding's experimental novels, and Frances Burney'' practice of life--writing and fiction-writing. Four female authors who are often written out of the history of the genre are here foregrounded in a critical account that emphasizes the importance of engaging readers' minds and bodies, and which invites us to revisit our understanding of the rise of the modern novel. Kukkonen's innovative theoretical approach is based on the approach of 4E cognition, which views thinking as profoundly embodied and embedded in social and material contexts, extending into technologies and material devices (such as a pen), and enactive in the inherent links between perceiving the world and moving around in it. 4E Cognition and Eighteenth-Century Fiction investigates the eighteenth-century novel through each of these trajectories and shows how language explores its embodied dimension by increasing the descriptions of inner perception, or the bodily gestures around spoken dialogue. The embodied dimension is then related to the media ecologies of letter-writing, book learning, and theatricality. As the novel feeds off and into these social and material contexts, it comes into its own as a lifeworld technology that might not answer to standards of nineteenth-century realism but that feels 'real' because it is integrated into the lifeworld and embodied experiences. 4E cognition answers one of the central challenges to cognitive literary studies: how to integrate historical and cultural contexts into cognitive approaches. "-- "When the novel broke into cultural prominence in the eighteenth century, it was notorious for the gripping, immersive style of its narratives and this remains a signal feature of the genre until our days. My book shows how this embodied style developed in eighteenth-century writing through Eliza Haywood's flamboyant amatory fiction, Charlotte Lennox's work as a cultural broker between Britain and France, Sarah Fielding's experimental novels and Frances Burney's crossings between life-writing and fiction-writing. Four female authors that are often written out of the history of the genre are brought forward in a critical account that underlines the importance of engaging readers' mind and bodies and that invites us to revisit standard narratives of the rise of the novel"--

Fiction --- Psychological study of literature --- English literature --- anno 1700-1799 --- English fiction --- Psychology and literature --- Cognition in literature. --- Perception in literature. --- Reality in literature. --- Narration (Rhetoric) --- History and criticism. --- History --- Women authors

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Fiction --- Psychological study of literature

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When readers become victims of the murder mysteries they are immersed in, when superheroes embark on a quest to challenge their authors or when the fictional rock band Gorillaz flirt with Madonna during their performance, then metalepsis in popular culture occurs. Metalepsis describes the transgression of the boundary between the fictional world and (a representation of) the real world. This volume establishes a transmedial definition of metalepsis and explores the phenomenon in twelve case studies across media and genres of popular culture: from film, TV series, animated cartoons, graphic novels and popular fiction to pop music, music videos, holographic projections and fan cultures. Narrative studies have considered metalepsis so far largely as a phenomenon of postmodern or avant-garde literature. Metalepsis in Popular Culture investigates metalepsis' ties to the popular and traces its transmedial importance through a wealth of examples from the turn of the 20th century to this day. The articles also address larger issues such as readerly immersion, the appeal of complexity in popular culture, or the negotiation of fiction and reality in media, and invite readers to rethink these issues through the prism of metalepsis.

Fiction --- Literary rhetorics --- 82-3 --- Proza. Fictie. Narratologie --- Metalepsis --- Narration (Rhetoric) --- Popular culture --- 82-3 Proza. Fictie. Narratologie --- Figures of speech --- Literary style --- 82-3 Fiction. Prose narrative --- Fiction. Prose narrative --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Metalepsis - Congresses --- Popular culture - Congresses --- Narration (Rhetoric) - Congresses --- Media. --- Metafiction. --- Narrative. --- Popular Culture. --- Transmediality. --- Culture de masse --- Culture populaire --- Métalepse

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Cognition in literature --- Literature --- Human body in literature --- Cognitive psychology --- Philosophy of mind in literature --- Narration (Rhetoric)