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Painting --- Christian dogmatics --- anno 800-899 --- anno 900-999 --- Art, Medieval --- Christian art and symbolism --- Art and science. --- Astronomy, Medieval. --- Science, Medieval. --- Themes, motives. --- Art and science --- -Astronomy, Medieval --- -Christian art and symbolism --- -Science, Medieval --- -704.9495 --- 509 --- Medieval science --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Religious art, Christian --- Sacred art --- Symbolism and Christian art --- Art --- Symbolism --- Christian antiquities --- Church decoration and ornament --- Medieval astronomy --- Medieval art --- Science and art --- Science --- Themes, motives --- Arts Sciences --- Sciences History --- Astronomy, Medieval --- Science, Medieval --- 704.9495 --- Subjects --- Art, Medieval - Themes, motives. --- Christian art and symbolism - Medieval, 500-1500.

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Based on scripture, exegesis, and an ongoing dialogue with the Jewish and Islamic presence, Jerusalem maintains a central position in Christian spirituality. After several studies that mapped visual references to the holy city in various other representational media, Bianca Kühnel dedicates the present volume to the monumental presence of Jerusalem in European Latin Christianity. The works discussed in this book have a spatial dimension, defined by mimetic architecture and mimetic topography brought to life by ritual movement. They consist of the reproductions of key buildings representing Jerusalem’s most sacred sites, standing alone or arranged in clusters. Jerusalem sites throughout the world challenge the usual notions of transfer and representation in the history of art by their number, their variety of means, and their level of historical consistency. This book traces key turning points in the long history of Jerusalem abroad, while defining a common methodological and theoretical framework.

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The centrality of Jerusalem in Christian spirituality has been expressed in a spectrum of material and visual manifestations since biblical times. The present volume is a collection of studies centered on Jerusalem’s physical presence in Europe, manifested through architecturally defined, spatial representations of the city’s various sacred sites and monuments in Italy, Germany, England, Spain, the Netherlands, Russia and the Czech Republic. The essays analyze representations of Jerusalem by situating them within their urban and monastic milieus, tracking literary descriptions, and reconstructing the historical circumstances that impacted their creation and use. The prologue and epilogue contextualize the architectural translations of Jerusalem within wider discussions on film, photography, the cult of relics, and tourism, as well as physical and imagined pilgrimage. This collection of studies is related to Bianca Kühnel’s Jerusalem Icons in the European Space,

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