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Church architecture --- Architecture chrétienne --- Saint Elizabeth Church (Konice, Slovakia) --- Church buildings --- 726.5 --- Churches --- Buildings --- Church facilities --- Ecclesiastical architecture --- Rood-lofts --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Reconstruction --- Kerkgebouwen. Kerkarchitectuur --- Saint Elizabeth Church (Kosice, Slovakia) --- Parish and Pilgrimage Church of Saint Elizabeth (Košice, Slovakia) --- 726.5 Kerkgebouwen. Kerkarchitectuur --- Architecture chrétienne --- Saint Elizabeth Church (Kǒnice, Slovakia) --- Architecture religieuse --- Slovakia --- Kosice (Slovakia) --- Košice (Slovaquie) -- Cathédrale Sainte-Elisabeth --- Cathédrales --- Cathedrals --- Architecture, Medieval --- Saint Elizabeth Church (Košice, Slovakia) --- Košický dóm --- Kassa (Hungary) --- Košice (Slovakia) --- Buildings, structures, etc. --- Antiquities --- Cathedrals - Hungary - Kassa --- Cathedrals - Slovakia - Košice --- Church architecture - Hungary - Kassa --- Church buildings - Reconstruction - Hungary - Kassa --- Church architecture - Slovakia - Košice --- Church buildings - Reconstruction - Hungary - Hungary - Kassa --- Architecture, Medieval - Hungary - Kassa - Reconstruction --- Architecture, Medieval - Slovakia - Košice --- Kassa (Hungary) - Buildings, structures, etc. --- Kassa (Hungary) - Antiquities --- Košice (Slovakia) - Buildings, structures, etc. --- Košice (Slovakia) - Antiquities
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This anthology examines the workings of historical imagery in fourteen essays, offering fresh perspectives from leading researchers on a wide range of medieval and early modern artworks in a similarly wide range of functional contexts. How did historical images work and interact with their beholders and users? Drawing on the results of an international conference held in Vienna in 2018, this volume offers new perspectives on a central question for contemporary art history. The fourteen authors approach working imagery from the medieval and early modern periods in terms of its production, usage, and reception. They address wide-ranging media - architecture, sculpture, painting, metalwork, stained glass - in similarly wide-ranging contexts: from monumental installations in the most public zones of urban churches to exquisite devotional objects and illuminated books reserved for more exclusive settings. While including research from West European and American institutions, the project also engages with the distinctive scholarly traditions of Eastern Europe and Israel. In all these ways, it reflects the interests of the dedicatee Michael Viktor Schwarz, whose introductory interview lays out the parameters of the subject
Visual communication in art --- Church decoration and ornament --- Christian art and symbolism --- Illumination of books and manuscripts, Medieval --- Communication visuelle et art --- Art médiéval --- Moyen âge. --- Art, Medieval --- Art --- Christian special devotions --- Iconography --- History of civilization --- History of Europe --- anno 500-1499 --- Communication visuelle --- Medieval art history
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