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version française / english versionAtelier national de recherche typographique ANRT – Archives 1985-2006Les presses du réel – domaine Art contemporain [tous les titres] – collection Catalogues & ouvrages collectifs [tous les titres]Atelier national de recherche typographique ANRT Archives 1985-2006commanderimprimerenvoyer un lienrevue de presseAvant-propos de François Barré et Christian Debize.Textes de Thomas Huot-Marchand, Roxane Jubert, Sébastien Morlighem.Conception graphique : Huz & Bosshard.paru en mars 2016édition bilingue (français / anglais)23,8 x 32,5 cm (broché)328 pages (ill. impression 6 coul.)39.00 €ISBN : 978-2-84066-854-1EAN : 9782840668541en stockA travers plus de 650 images tirées des archives entièrement inédites de l'Atelier national de recherche typographique, cet ouvrage dresse pour la première fois l'histoire d'une période marquée par de profondes mutations technologiques. Il dévoile l'univers méconnu de la création typographique à travers une large sélection de projets qui témoignent aussi bien d'un savoir-faire séculaire que de l'innovation la plus radicale.

Graphic design (Typography) --- Arts graphiques --- Atelier national de recherche typographique (France) --- Design graphique --- Graphisme --- Alphabet --- Typographie --- Graphic design (Typography) - France --- Arts graphiques - France

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Publishers. Printers --- Book designers --- Book design --- Graphic design (Typography) --- Livres --- Arts graphiques --- Exhibitions. --- History --- Exhibitions --- Mise en pages --- Histoire --- Expositions --- Massin --- 655.262 <44> --- 655.262 MASSIN, ROBERT --- 655.41 <44> GALLIMARD --- Boekdesign--algemeen--Frankrijk --- Boekdesign--MASSIN, ROBERT --- Uitgeverij--algemeen--Frankrijk--GALLIMARD --- Typographic design --- Design --- Printing --- Layout (Printing) --- Design, Book --- Books --- Designers --- Format --- Massin, Robert --- Menuet, Claude --- typography

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Exploring the concept and history of visual and graphic epistemologies, this engrossing collection of essays by artists, curators, and scholars provides keen insights into the many forms of connection between visibility and legibility. With more than 130 color and black-and-white photographs, Visible Writings sheds new light on the visual dimensions of writing as well as writing's interaction with images in ways that affect our experiences of reading and seeing. Multicultural in character and historical in range, essays discuss pre-Colombian Mesoamerican scripts, inscriptions on ancient Greek vases, medieval illuminations, Renaissance prints, Enlightenment concepts of the legible, and the Western "reading" of Chinese ideograms. A rich array of modern forms, including comics, poster art, typographic signs, scribblings in writers' manuscripts, anthropomorphic statistical pictograms, the street writings of 9/11, intersections between poetry and painting, the use of color in literary texts, and the use of writing in visual art are also addressed. Visible Writings reaches outside the traditional venues of literature and art history into topics that consider design, history of writing, philosophy of language, and the emerging area of visual studies. Marija Dalbello, Mary Shaw, and the other contributors offer both scholars and those with a more casual interest in literature and art the opportunity, simply stated, to see the writing on the wall.

Signs and symbols. --- Visual communication. --- Representation, Symbolic --- Semeiotics --- Signs --- Symbolic representation --- Symbols --- Abbreviations --- Omens --- Semiotics --- Sign language --- Symbolism --- Visual communication --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Communication visuelle --- Signes et symboles