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Satire [English ] --- History and criticism --- Verse satire [English ] --- English literature --- 19th century --- Romanticism --- Great Britain --- Verse satire, English - History and criticism.
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It's the founding myth of humanities computing and digital humanities: In 1949, the Italian Jesuit scholar, Roberto Busa, S.J., persuaded IBM to offer technical and financial support for the mechanized creation of a massive lemmatized concordance to the works of St. Thomas Aquinas. Using Busa's own papers, recently accessioned in Milan, as well as IBM archives and other sources, Jones illuminates this DH origin story. He examines relationships between the layers of hardware, software, human agents, culture, and history, and answers the question of how specific technologies afford and even constrain cultural practices, including in this case the academic research agendas of humanities computing and, later, digital humanities.
Computational linguistics --- Humanities --- Text processing (Computer science) --- Processing, Text (Computer science) --- Database management --- Electronic data processing --- Information storage and retrieval systems --- Word processing --- Learning and scholarship --- Classical education --- Automatic language processing --- Language and languages --- Language data processing --- Linguistics --- Natural language processing (Linguistics) --- Applied linguistics --- Cross-language information retrieval --- Mathematical linguistics --- Multilingual computing --- Research --- History --- Data processing --- Busa, Roberto. --- Busa, R. --- E-books
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"Explores our collective desire for invisible, ethereal, and ubiquitous connectivity, however much steel, cement, and cable it takes to sustain that desire"--
Cell phone systems --- Radio and television towers --- Telecommunication --- Antennas --- Design and construction --- History. --- History. --- Social aspects.
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In The Emergence of the Digital Humanities, Steven E. Jones examines this shift in our relationship to digital technology and the ways that it has affected humanities scholarship and the academy more broadly. Based on the premise that the network is now everywhere rather than merely "out there," Jones links together seemingly disparate cultural events—the essential features of popular social media, the rise of motion-control gaming and mobile platforms, the controversy over the "gamification" of everyday life, the spatial turn, fabrication and 3D printing, and electronic publishing—and argues that cultural responses to changes in technology provide an essential context for understanding the emergence of the digital humanities as a new field of study in this millennium.
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