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ISBN: 1299200990 0708324088 9780708324080 9781783161140 1783161140 9780708324073 070832407X 9781299200999 Year: 2011 Publisher: Cardiff
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Almost everyone loves a good horror film but how did they originate? Audiences thrilled and shuddered at ghosts and monsters projected on screens all over Europe for centuries before film was born. This pioneering book traces the origins and development of the magic lantern shows of fear and reveals their close relation to the great upsurge in Gothic writing, so popular with readers today.
Gothic fiction (Literary genre) --- Gothic horror tales (Literary genre) --- Gothic novels (Literary genre) --- Gothic romances (Literary genre) --- Gothic tales (Literary genre) --- Romances, Gothic (Literary genre) --- Detective and mystery stories --- Horror tales --- Suspense fiction --- History and criticism. --- Arts and society --- Visual communication --- Communication and culture --- Motion pictures --- Art, Gothic. --- Gothic revival (Art) --- Culture and communication --- Culture --- Graphic communication --- Imaginal communication --- Pictorial communication --- Communication --- Arts --- Arts and sociology --- Society and the arts --- Sociology and the arts --- Art, Modern --- Arts, Modern --- Revival movements (Art) --- Gothic art --- Art, Medieval --- Christian art and symbolism --- History. --- Social aspects --- History and criticism --- History of civilization --- popular culture --- magic lanterns --- Gothic novels --- horror films --- visual culture --- horror film
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ISBN: 0713909218 9780713909210 Year: 1975 Publisher: London: Penguin books,
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ISBN: 0708311423 9780708311424 Year: 1992 Publisher: Cardiff: University of Wales press,
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ISBN: 0198200994 Year: 1989 Publisher: Oxford Clarendon Press
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Year: 1974 Publisher: Genève
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ISBN: 9781786833358 1786833352 Year: 2018 Publisher: Cardiff : University of Wales Press,
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This is a ground-breaking exploration that runs generally against the critical grain in identifying a burgeoning production of films of fear and horror before the admission of the horror film genre per se. It is a study that reveals and emphasises the formative and innovative power of film, from Georges Melies's Manoir du Diable (1896) to Edgar G. Ulmer's superbly reflexive The Black Cat (1934). With its focus on twenty-two key films, and referencing other relevant productions, the present study involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies. Stepping beyond the bounds of Anglo-American studios, in its seven chapters the book involves the work of directors from France, Spain, England, Moravia, Germany, Italy, Denmark, Mexico and the USA, to consider and compare films that have not previously received serious attention.
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Year: 1934 Publisher: Paris Droz
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ISBN: 1786833360 Year: 2018 Publisher: Cardiff, New South Wales : University of Wales Press,
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Year: 1934 Publisher: Genève : Droz,
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ISBN: 1135106207 1135106215 0203073959 Year: 2013 Publisher: Abingdon, Oxon ; New York, N.Y. : Routledge,
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Being change capable is the ""new normal"" for today's growth-minded organizations. The ""do more with less"" strategies of the past are no longer effective in preparing organizations to meet the increasing challenges for growth, competitiveness and innovation required of them in this new era. Business change challenges including customer and market shifts, legal and regulatory requirements, strategic redirection, acquisitions, strategic partnerships, and cultural transformation are demanding that organizations effectively and efficiently manage change across multiple dimensions. To
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