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Leading scholars in these 29 commissioned papers in honour of Richard Bradley discuss key themes in prehistoric archaeology that have defined his career, such as monumentality, memory, rock art, landscape, material worlds and field practice. The scope is broad, covering both Britain and Europe, and while the focus is very much on the archaeology of later prehistory, papers also address the interconnection between prehistory and historic and contemporary archaeology. The result is a rich and varied tribute to Richard's energy and intellectual inspiration.
Prehistoric peoples --- Antiquities, Prehistoric --- Bradley, Richard,
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Prehistoric imagery is enigmatic and has been largely overlooked by archaeologists; it is only in the last two decades that it has garnered serious academic attention. This volume addresses this lacuna and discusses visual expression across Neolithic Europe. The papers in this volume result from a meeting of the Neolithic Studies Group on the topic of 'Neolithic visual culture' at the British Museum in November 2010. The intention of the meeting was to assess new studies of rock art from across Britain and Ireland, and to compare these with studies of Neolithic visuality from continental Europ
Neolithic period --- Passage Graves culture --- Megalithic monuments --- Rock art --- Great Britainx --- Europe --- Antiquities.
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"Humans occupy a material environment that is constantly changing. Yet in the twentieth century archaeologists studying British prehistory have overlooked this fact in their search for past systems of order and pattern. Artefacts and monuments have been treated as inert materials which were the outcomes of social ideas and processes. As a result materials were variously characterized as stable entities such as artefact categories, styles, or symbols in an attempt to comprehend them. In this book Jones argues that, on the contrary, materials are vital, mutable, and creative, and archaeologists need to attend to the changing character of materials if they are to understand how past people and materials intersected to produce prehistoric societies. Rather than considering materials and societies as given, he argues that we need to understand how these entities are performed. Jones analyses various aspects of materials, including their scale, colour, fragmentation, and assembly, in a wide-ranging discussion which covers the pottery, metalwork, rock art, passage tombs, barrows, causewayed enclosures, and settlements of Neolithic and Early Bronze Age Britain and Ireland."--Jacket.
Antiquities, Prehistoric --- Material culture --- History --- Culture --- Folklore --- Technology --- Prehistoric antiquities --- Prehistoric archaeology --- Prehistory --- Prehistoric peoples
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Photography --- Archeology --- material culture [discipline] --- archaeology --- digital images --- cultural heritage
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