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Art and nature --- Art et nature --- Kunst en natuur --- Nature (Aesthetics) --- Nature (Esthétique) --- Nature dans l'art --- Nature in art --- Natuur (Esthetica) --- Natuur in de kunst --- Webern, Anton, --- Criticism and interpretation. --- 78.071 WEBERN, ANTON --- Nature and art --- Aesthetics --- Muziekbeoefening--WEBERN, ANTON --- Webern, Anton --- -Criticism and interpretation --- -Von Webern, Anton --- Criticism and interpretation --- Nature (Aesthetics). --- Nature (Esthétique) --- Webern, Anton von, --- Von Webern, Anton, --- Vebern, Anton, --- Vebern, A. --- Webern, Anton Friedrich Wilhelm von, --- Webern, Anton von --- 78.21.1 Webern --- Webern, Anton. --- Von Webern, Anton
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Songs --- Songs with orchestra --- Symphony --- Music --- Chansons --- Chansons acc. d'orchestre --- Symphonie --- Musique --- Analysis, appreciation --- Analyse et appréciation --- Mahler, Gustav, --- Songs, German --- History and criticism. --- History and criticism --- Analyse et appréciation --- Sinfonietta --- Symphonies --- Symphonietta --- Musical form --- German songs --- Analysis, appreciation. --- Mahler, Gustav. --- Mahler, Gustav --- Maler, Gustav, --- Maler, G. --- Mārā, Gusutafu,
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Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought--the gap between language and our embodied relation to the world--but also offers a solution. With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Fauré and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarmé and Proust to Merleau-Ponty, Jankélévitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them.
Music --- Music and language. --- Philosophy and aesthetics. --- Debussy, Claude, --- Criticism and interpretation. --- Influence. --- Music and language --- Language and music --- Language and languages --- Hermeneutics (Music) --- Musical aesthetics --- Aesthetics --- Music theory --- Philosophy and aesthetics --- Philosophy --- Debi︠u︡si, Klod, --- Debi︠u︡ssi, K. --- Debi︠u︡ssi, Klod, --- Debussy, Achille Claude, --- Debussy, C. --- Debussy, Claude --- Debuxi, --- Tu-pu-hsi, --- E-books
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Music --- Musique --- Civilisation moderne. --- Philosophy and aesthetics --- Philosophie et esthétique. --- Dans la musique --- Philosophie et esthétique.
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Aesthetics --- Music
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Music --- Philosophy and aesthetics. --- Social aspects. --- Philosophy and aesthetics --- Social aspects
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