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Plant physiology --- Plants, Cultivated --- Primary productivity (Biology) --- Crop yields --- Congresses --- Physiology --- Plante --- plants --- Productivité --- Productivity --- Physiologie végétale --- Photosynthèse --- Photosynthesis --- Croissance --- Growth --- Développement biologique --- biological development --- 631.524 --- -Plant physiology --- -Plants, Cultivated --- -Primary productivity (Biology) --- -#ABIB:irri --- 581.1 --- 58.036 --- 581.14.035 --- 632.16 --- Primary production (Biology) --- Biological productivity --- Phytoplankton --- Cultivated plants --- Agriculture --- Domestication --- Plant introduction --- Plants, Useful --- Botany --- Plants --- Crops --- Field crops --- Yields, Crop --- Agricultural productivity --- Soil productivity --- Variation of characteristics --- -Congresses --- Yields --- Plant and Crop Sciences. Botany --- Congresses. --- Plant Physiology --- Plant Physiology. --- 631.524 Variation of characteristics --- #ABIB:irri --- Physiology&delete& --- Plant ecology. Plant sociology --- Plant physiology - Congresses --- Plants, Cultivated - Physiology - Congresses --- Primary productivity (Biology) - Congresses --- Crop yields - Congresses --- Facteur limitant --- Physiological process
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Entering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of “the contemporary” in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York’s Museum of Modern Art, Minoru Yamasaki’s vanished Utopias, the “anarchitecture” of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez.
Art, Modern --- Modernism (Aesthetics) --- Museum of Modern Art (New York, N.Y.) --- modernism --- cultural studies --- architecture --- avant-garde art
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Entering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of “the contemporary” in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York’s Museum of Modern Art, Minoru Yamasaki’s vanished Utopias, the “anarchitecture” of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez.
Art, Modern --- Modernism (Aesthetics) --- Museum of Modern Art (New York, N.Y.) --- modernism --- cultural studies --- architecture --- avant-garde art
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Entering the 21st century, the postmodern succession has given way to a doom-laden, apolitical orthodoxy. This book offers suggestive readings of “the contemporary” in light of high modernity, postwar modernity, and postmodernity, as framed by the influential institutions of modern art and the spectacles of millennial architecture. Modernity without a Project critiques and connects historical avant-garde currents as they are institutionally expressed or captured, and scrutinizes the remake of New York’s Museum of Modern Art, Minoru Yamasaki’s vanished Utopias, the “anarchitecture” of Lebbeus Woods, recent work of Rem Koolhaas, delirious developments in Dubai, and the unexpected contribution to architectural debate by the late Hugo Chavez.
Art, Modern --- Modernism (Aesthetics) --- modernism --- cultural studies --- architecture --- avant-garde art --- Museum of Modern Art (New York, N.Y.) --- modernism --- cultural studies --- architecture --- avant-garde art
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