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Drawing from a variety of sources she demonstrates that theatrical estrangement is not only an abstract theoretical postulate, but also a practical artistic strategy shaped by the cultural and historical climate.
Experimental drama, German --- Experimental drama, Russian --- Experimental theater --- Theater --- History and criticism --- History --- Political aspects --- Théâtre expérimental --- Théâtre --- Histoire --- Aspect politique --- History and criticism. --- Sowjetunion. --- Sowjetunion --- Deutschland --- Russland --- Soviet Union. --- Germany. --- Experimentelles Theater --- Geschichte
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Drawing from a variety of sources she demonstrates that theatrical estrangement is not only an abstract theoretical postulate, but also a practical artistic strategy shaped by the cultural and historical climate.
Law --- Philosophy --- History. --- Acts, Legislative --- Enactments, Legislative --- Laws (Statutes) --- Legislative acts --- Legislative enactments --- Experimental theater --- Soviet drama --- Alienation (Social psychology) --- History --- Political aspects --- History and criticism. --- Soviet literature --- Alienation, Social --- Disaffection (Social psychology) --- Estrangement (Social psychology) --- Rebels (Social psychology) --- Social alienation --- Social psychology --- Social isolation --- Alternative theater --- Avant-garde theater --- Theater --- Experimental drama, Russian --- Experimental drama, German --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors --- German experimental drama --- German drama --- Russian experimental drama --- Russian drama --- Jurisprudence --- Legislation --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey --- Sowjetunion. --- Sowjetunion --- Deutschland --- Russland --- Soviet Union. --- Germany. --- Experimentelles Theater --- Geschichte --- Alemania --- Ashkenaz --- BRD --- Bu̇gd Naĭramdakh German Uls --- Bundesrepublik Deutschland --- Deguo --- Deutsches Reich --- Doitsu --- Doitsu Renpō Kyōwakoku --- Federal Republic of Germany --- Federalʹna Respublika Nimechchyny --- FRN --- Gėrman --- German Uls --- Germania --- Germanii︠a︡ --- Germanyah --- Gjermani --- Grossdeutsches Reich --- Jirmānīya --- KhBNGU --- Kholboony Bu̇gd Naĭramdakh German Uls --- Nimechchyna --- Repoblika Federalin'i Alemana --- República de Alemania --- República Federal de Alemania --- Republika Federal Alemmana --- Vācijā --- Veĭmarskai︠a︡ Respublika --- Weimar Republic --- Weimarer Republik --- Germany (East) --- Germany (West) --- Europe --- Ber. ha-M. --- Berit ha-Moʻatsot --- ESSD --- FSSR --- Ittiḥād al-Sūfiyīt --- Ittiḥād-i Jamāhīr-i Ishtirākīyah-i Shūrāʼīyah --- Ittiḥād-i Shūrav --- KhSHM --- PSRS --- Rusiyah --- Rusland --- Russia --- Rusyah --- Sahaphāp Sōwīat --- Shūrav --- SNTL --- Sobhieṭ Ẏuniẏana --- Soi͡uz Radi͡ansʹkykh Sot͡sialistychnykh Respublik --- Soi͡uz Sovetskikh Sot͡sialisticheskikh Respublik --- Soi͡uz SSR --- Soṿet-Rusland --- Sovetakan Sotsʻialistakan Hanrapetutʻyunneri Miutʻyun --- Sovetakan Sotsʻialistakan Ṛespublikaneri Miutʻyun --- Sovetskiĭ Soi͡uz --- Sovetskiy Soyuz --- Soviyat Yūniyan --- Soyuz SSR --- SRSR --- SSHM --- SSR Kavširi --- SSṚM --- SSSR --- Su-lien --- Szovjetuni --- Tarybų Socialistinių Respublikų Sąjunga --- TSRS --- UdSSR --- Uni Soviet --- Uni Sovjet --- Unión de Repúblicas Socialistas Soviéticas --- Union of Soviet Socialist Republics --- Union soviétique --- Unione Sovietica --- URSS --- USSR --- Zȯvlȯlt Kholboot Uls --- ZSRR --- ZSRS --- Związek Radziecki --- Związek Socjalistycznych Republik Radzieckich --- Związek Socjalistycznych Republik Sowieckich --- Deutsche Länder --- Germany --- Heiliges Römisches Reich --- Rheinbund --- Deutscher Bund --- Norddeutscher Bund --- Republic of Germany --- Allemagne --- Ǧumhūrīyat Almāniyā al-Ittiḥādīya --- Niemcy --- République Fédérale d'Allemagne --- Repubblica Federale di Germania --- Germanija --- Federativnaja Respublika Germanija --- FRG --- Deyizhi-Lianbang-Gongheguo --- Deutsche --- Deutsches Sprachgebiet --- 03.10.1990 --- -UdSSR --- Republik-Republik Kesatuan Soviet Sosialis --- Sojuz Sovetskich Socialističeskich Respublik --- Union der Sozialistischen Sowjet-Republiken --- Union der SSR --- Union des Républiques Socialistes Soviétiques --- Padomju Sociālistiko Republiku Savienība --- SSṘM --- ZSSR --- Savez Sovjetskih Socijalističkih Republika --- Soviet Union --- Sojuz Radjans'kich Sozialističnich Respublik --- Şyra Sosjalist Cumhyrijjẹtlẹri Ittifakĭ --- Šura Socialist Gümhurietleri Ittipaky --- Šura Sosyalist Ǧümhuriyetleri Ittifaqï --- SSCB --- Союз Советских Социалистических Республик --- СССР --- 1923-25.12.1991
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This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?
Theater --- Authorship --- Philosophy. --- Theater. --- Literature—Philosophy. --- Literature—History and criticism. --- Theatre and Performance Studies. --- Literary Theory. --- Literary History. --- Dramatics --- Histrionics --- Professional theater --- Stage --- Theatre --- Performing arts --- Acting --- Actors
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This book takes Roland Barthes’s famous proclamation of ‘The Death of the Author’ as a starting point to investigate concepts of authorial presence and absence on various levels of text and performance. By offering a new understanding of ‘the author’ as neither a source of unquestioned authority nor an obsolete construct, but rather as a performative figure, the book illuminates wide-ranging aesthetic and political aspects of ‘authorial death’ by asking: how is the author constructed through cultural and political imaginaries and erasures, intertextual and intertheatrical references, re-performances and self-referentiality? And what are the politics and ethics of these constructions?
Philosophy --- Theatrical science --- Literature --- theater --- filosofie --- literatuur --- literatuurgeschiedenis
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The Oxford Handbook of Politics and Performance is a unique collection of articles introducing cutting-edge research and scholarship on politics and performance, which contributes to exciting interdisciplinary work and to shaping a subfield. Organized along five themes—performativity and theatricality; identities; sites and scripts; body, voice, and gesture; and affect—the volume brings together leading scholars in the fields of politics and performance who put forward critically informed interdisciplinary work on everyday social performances, from various embodiments of resistance to a less conscious and willed dimension of reproducing social and political categories, as well as performances of political institutions and processes, in order to understand the contemporary world. The aim of the Handbook is to demonstrate that this disciplinary interweaving ultimately produces a richer, more complex view of our contemporary world than either field is able to do on its own. At the heart of the project is the ambition to introduce both performance and politics scholars to the tools of research and analysis needed to develop a sophisticated understanding of political actions as a function of performance and a firmer basis for recognizing the political potential inherent in all acts of performance.
Politics --- Theatrical science --- E-books --- Performing arts --- Theater and society. --- Theater --- Political aspects.
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