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Anne Geene and Arjan de Nooy combine visual tools from the science of birds with the specific characteristics of photography, thereby imparting a fresh look at both. Through their pseudoscientific approach, Geene and De Nooy explore the boundaries between the two disciplines, adding a layer that is usually absent in the representation and science of birds: humour. Their classifications form comical results through creative and associative thinking, and yet they use the scientific method to also create an artistic microcosm that seems far removed from its strictly ornithological counterpart. Together, Geene and De Nooy depart from the “classic” aesthetic of bird representation
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For Croatian-born Lana Mesić, this was a moment of mixed emotions: it saddened her to see Croatia’s war-torn past seeping so freely and unabashedly into every fibre of society. But this was also the starting point for a visual examination of the role and meaning of the enemy image in her fragmented childhood in former Yugoslavia and how this history echoes upon this day. Lana Mesić (b. 1987) works and lives in Rotterdam. After her graduation from the Bachelor of Photography at the AKV| St. Joost in Breda in 2010, she earned her Master’s Degree at the same institute in 2012. Her photo works and installations have been exhibited among other places in Het Nutshuis in The Hague, AMC Gallery in Amsterdam, Sao Paulo Photography Bienalle, Dong Gang Photography Festival in South Korea, Organ Vida Festival in Zagreb, Nichido Arts Centre in Tokyo to name a few. She has been nominated for various prizes and residencies, the latest one being the Stipendium for Established Artists of the Mondriaan Fund.
Conflit --- Mesić, Lana --- Croatie
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