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Film --- anno 1960-1969 --- United States --- film --- Verenigde Staten --- sixties --- underground --- experimentele film --- Brakhage Stan --- Warhol Andy --- beat generation --- Mekas Jonas --- Rice Ron --- Belson Jordan --- Kuchar Mike --- Kuchar George --- Conner Bruce --- Baillie Bruce --- film en politiek --- Jost Jon --- Landow George --- Jacobs Ken --- Fisher Morgan --- Frampton Hollis --- narratologie --- feminisme --- Schneemann Carolee --- RainerYvonne --- Experimental films --- Motion pictures --- History and criticism. --- Political aspects --- History. --- History --- History and criticism --- Brakhage, Stan --- Warhol, Andy --- United States of America

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In the mid-1950s, rock 'n' roll amalgamated earlier black and white working-class musical traditions to displace the Great American Songbook's hegemony over Anglophone popular music. At the same time, the classic musical was both displaced and re-created in a new form of film: the rock 'n' roll musical. For the next two decades, the genre's evolution in the United States and the United Kingdom accompanied and sustained the emergence, flowering, and decay of a counterculture. Cinema was second only to records in the production of the new cultural gestalt that the music generated.

Rock films --- Motion pictures and rock music --- Films rock --- Cinéma et rock --- History and criticism --- Histoire et critique --- Motion pictures and rock music. --- Rock (musique) et cinéma --- History and criticism. --- Cinéma et rock --- Rock (musique) et cinéma. --- Rock music and motion pictures --- Rock music --- Musical films

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Blake, William

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w.

Asian Americans in motion pictures. --- Motion pictures --- Motion picture industry --- History. --- California --- East Asia. --- Motion pictures.

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Motion pictures --- Social classes in motion pictures. --- Social classes. --- Political aspects. --- Social aspects.