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Film --- Hitchcock, Alfred --- Architecture --- Architecture in motion pictures. --- 72 --- 791.43 --- 72.01 --- 791.4 --- 791.43.049 --- 791.43.07 --- Architectuur en film --- Scenografie --- 791.471 HITCHCOCK --- Hitchcock Alfred --- film en architectuur --- film --- scenografie --- 798.79 --- architectuur --- Architectuur. Bouwkunst --- Filmkunst. Films. Cinema --- Architectuur --- Architectuur (theorie) --- Architectuurkritiek --- Filmkunst ; verschillende onderwerpen --- Filmregisseurs, acteurs, filmografen --- film, overige onderwerpen --- CDL --- 791.43 Filmkunst. Films. Cinema --- 72 Architectuur. Bouwkunst --- 72 Architecture --- Architecture in motion pictures --- Motion pictures --- Hitchcock, Alfred, --- Hitchcock, Alfred Joseph, --- Hsi-chʻü-kʻao-kʻo, --- Chitskok, Alphrent, --- היצ'קוק, אלפרד, --- Hīchakāk, Al-Frad , --- هيچکاک، الفرد، --- Criticism and interpretation. --- Exhibitions. --- film sets --- Hitchcok, Alfred

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Keyser, de, Raoul --- anno 2000-2009 --- anno 1980-1989 --- anno 1960-1969 --- anno 1970-1979 --- anno 1990-1999 --- De Keyser, Raoul --- Keyser, Raoul De --- schilders --- schilderkunst --- België --- De Keyser Raoul --- 75.071 DE KEYSER --- 75.07 --- 75(493) --- De Keyser, Raoul °1930 (°Deinze, België) --- Schilderkunst ; 1964-2004 ; Raoul De Keyser --- De Nieuwe Visie --- Belgische kunstenaars --- Schilderkunst ; schilders --- Schilderkunst ; België --- Keyser, Raoul de, --- Painting --- De Keyser, Raoul, --- Criticism and interpretation. --- Criticism and interpretation --- Catalogs --- De Keyser, Raoul.

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1. Camera and Canvas: Emmer, Storck, Resnais and the Post-War Art Film##2. Vasari in Hollywood: Biopics and Artists ##3. Galleries of the Gaze: Museums in Rossellini's Viaggio in Italia and Hitchcock's Vertigo ##4. Tableaux Vivants 1: Painting, Film, Death and Passion Plays in Pasolini and Godard ##5. Tableaux Vivants 2: Film Stills and Contemporary Photography ##6. The Video That Knew Too Much: Hitchcock, Contemporary Art and Post-Cinema

Motion pictures and the arts --- Art and motion pictures --- Motion pictures --- Appreciation --- Philosophy --- Appreciation of motion pictures --- Art and moving-pictures --- Motion pictures and art --- Arts and motion pictures --- Moving-pictures and the arts --- Art and motion pictures. --- Motion pictures and the arts. --- Aesthetics. --- Appreciation. --- Philosophy. --- Art --- Film --- 77.01 --- film --- filmtheorie --- kunst --- documentaire --- film en kunst --- video --- videokunst --- tableaux vivants --- Resnais Alain --- Storck Henri --- Hitchcock Alfred --- Pasolini Pier Paolo --- Godard Jean-Luc --- Sherman Cindy --- Grimonprez Johan --- Rossellini Roberto --- stills --- Campbell Jim --- Drager Christoph --- Wall Jeff --- Marker Chris --- Gordon Douglas --- kunstdocumentaires --- Emmer Luciano --- appropriation art --- 791.43 --- 7.038 --- 7.039 --- 791.45 --- 77.01 Fotografie--Semiotiek van de fotografie. Theorie --- Fotografie--Semiotiek van de fotografie. Theorie --- Cinéma et arts --- #SBIB:309H529 --- #SBIB:316.7C212 --- Audiovisuele communicatie: andere benaderingen --- Cultuursociologie: film --- Art et cinéma --- Arts --- Cinéma et arts --- Cinéma --- Esthétique --- Philosophie --- Motion pictures - Appreciation --- Motion pictures - Philosophy

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Through the feature films and documentaries of directors including Emmer, Erice, Godard, Hitchcock, Pasolini, Resnais, Rossellini and Storck, Jacobs examines the way films 'animate' artworks by means of cinematic techniques, such as camera movements and editing, or by integrating them into a narrative. He explores how this 'mobilization' of the artwork is brought into play in art documentaries and artist biopics, as well as in feature films containing key scenes situated in museums. The tension between stasis and movement is also discussed in relation to modernist cinema, which often includes tableaux vivants combining pictorial, sculptural and theatrical elements. This tension also marks the aesthetics of the film still, which have inspired prominent art photographers such as Cindy Sherman and Jeff Wall. Illustrated throughout, Jacobs' study of the presence of art in film, alongside the omnipresence of the filmic image in today's art museums, is an engaging work for students and scholars of film and art alike.

Motion pictures and the arts. --- Arts. --- Arts, Fine --- Arts, Occidental --- Arts, Western --- Fine arts --- Humanities --- Arts and motion pictures --- Moving-pictures and the arts --- Arts --- Art and motion pictures. --- Motion pictures --- Appreciation. --- Philosophy. --- Appreciation of motion pictures --- Art and moving-pictures --- Motion pictures and art

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