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This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music. .
Electronic dance music --- History and criticism. --- Club music --- Dance music, Electronic --- Dance music, Underground --- EDM (Electronic dance music) --- Electronic music (Electronic dance music) --- UDM (Underground dance music) --- Underground dance music --- Dance music --- Electronica (Music) --- Remixes --- Music. --- Culture—Economic aspects. --- Dance. --- Digital media. --- Management. --- Mass media. --- Law. --- Cultural Economics. --- Digital/New Media. --- Cultural Management. --- IT Law, Media Law, Intellectual Property. --- Acts, Legislative --- Enactments, Legislative --- Laws (Statutes) --- Legislative acts --- Legislative enactments --- Jurisprudence --- Legislation --- Mass communication --- Media, Mass --- Media, The --- Communication --- Administration --- Industrial relations --- Organization --- Electronic media --- New media (Digital media) --- Mass media --- Digital communications --- Online journalism --- Dances --- Dancing --- Amusements --- Performing arts --- Balls (Parties) --- Eurythmics --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Economics. --- Culture. --- Cultural property --- Information technology --- Digital and New Media. --- Cultural Resource Management. --- Economic theory --- Political economy --- Social sciences --- Economic man --- Technology and law --- Cultural property, Protection of --- Cultural resources management --- Cultural policy --- Historic preservation --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Protection. --- Law and legislation. --- Protection --- Government policy --- Social aspects
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This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealng their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Althought the book's main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining and interdisciplinary overview of research on electronic dance music.
Dance music --- Nightclubs --- Boîtes de nuit, dancings, etc.
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Economics --- Law --- Business management --- Mass communications --- Music --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- dansen --- sociale media --- cultuur --- management --- massamedia --- muziek --- recht --- dansexpressie
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This book offers a comprehensive overview of electronic dance music (EDM) and club culture. To do so, it interlinks a broad range of disciplines, revealing their (at times vastly) differing standpoints on the same subject. Scholars from such diverse fields as cultural studies, economics, linguistics, media studies, musicology, philosophy, and sociology share their perspectives. In addition, the book features articles by practitioners who have been active on the EDM scene for many years and discuss issues like gender and diversity problems in general, and the effects of gentrification on club culture in Berlin. Although the book’s main focus is on Berlin, one of the key centers of EDM and club culture, its findings can also be applied to other hotspots. Though primarily intended for researchers and students, the book will benefit all readers interested in obtaining an interdisciplinary overview of research on electronic dance music. .
Economics --- Law --- Business management --- Mass communications --- Music --- Theatrical science --- Recreation. Games. Sports. Corp. expression --- dansen --- sociale media --- cultuur --- management --- massamedia --- muziek --- recht --- dansexpressie
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Spätestens seit den frühen Formationen einer auf Notendrucken basierenden Musikindustrie unterhalten musikferne Unternehmen Beziehungen zu Musik und ihren Akteur*innen. Damals wurden vornehmlich Kosmetik und Tabakprodukte in Notenbüchern beworben. Heute jedoch haben sich die Formen, bei denen Musik in den kommerziellen Aktivitäten musikferner Akteur*innen eine Rolle spielt, ausdifferenziert. Gleichzeitig hat der Markt für Aktivitäten wie Sponsoring oder Werbung an Volumen zugenommen. Hierbei spielen Marken eine besondere Rolle. Um Marken aufzubauen publizieren Unternehmen Musikmagazine, vertreiben Tonträger, organisieren und streamen Konzerte oder nehmen gar Künstler*innen mit eigenen Labels unter Vertrag. Gleichzeitig werden auch Künstler*innen und Bands durch die Musikindustrie immer stärker als Marken aufgebaut. Das Jahrbuch der GMM „Musik & Marken“ sondiert die Forschung zu Musik und Marken, versammelt empirische Befunde und zeigt neue Forschungsperspektiven in der Untersuchung von „Musik & Marken“ auf. Die Herausgeber*innen Lorenz Grünewald-Schukalla ist Geschäftsführer der Gesellschaft für Musikwirtschafts- und Musikkulturforschung e.V. und Referent für digitale Technologien und Innovationen beim AWO Bundesverband. Dr. Anita Jóri ist Post-Doc Wissenschaftliche Mitarbeiterin im Vilém Flusser Archiv, Universität der Künste, Berlin. Dr. Holger Schwetter ist selbständiger Musikwissenschaftler, Kulturmanager und Berater und hat Lehraufträge an der Hochschule Osnabrück und der Universität Paderborn.
Communication and traffic. --- Mass media and globalization. --- Popular music. --- Popular Culture. --- Business. --- Management science. --- Media Industries. --- Media and Globalisation. --- Popular Music. --- Business and Management.
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