Listing 1 - 5 of 5 |
Sort by
|
Choose an application
From their very inception, European cinemas undertook collaborative ventures in an attempt to cultivate a transnational “Film-Europe.” In the postwar era, it was DEFA, the state cinema of East Germany, that emerged as a key site for cooperative practices. Despite the significant challenges that the Cold War created for collaboration, DEFA sought international prestige through various initiatives. These ranged from film exchange in occupied Germany to partnerships with Western producers, and from coproductions with Eastern European studios to strategies for film co-authorship. Uniquely positioned between East and West, DEFA proved a crucial mediator among European cinemas during a period of profound political division.
Coproduction (Motion pictures, television, etc.) --- Motion picture industry --- Motion pictures --- History. --- Political aspects --- DEFA --- coproductions with eastern european studios. --- defa. --- film exchange in occupied germany. --- partnerships with western producers. --- period of profound political division. --- sought international prestige. --- state cinema of east germany. --- strategies for film coauthorship. --- study of german cinema.
Choose an application
Choose an application
The national cinemas of Czechoslovakia and East Germany were two of the most vital sites of filmmaking in the Eastern Bloc, and over the course of two decades, they contributed to and were shaped by such significant developments as Sovietization, de-Stalinization, and the conservative retrenchment of the late 1950s. This volume comprehensively explores the postwar film cultures of both nations, using a “stereoscopic” approach that traces their similarities and divergences to form a richly contextualized portrait. Ranging from features to children’s cinema to film festivals, the studies gathered here provide new insights into the ideological, political, and economic dimensions of Cold War cultural production.
Film --- anno 1940-1949 --- anno 1950-1959 --- anno 1960-1969 --- Germany (GDR) --- Czechoslovakia --- Motion pictures --- Motion picture industry --- Political aspects --- History
Choose an application
By the time the Berlin Wall collapsed, the cinema of the German Democratic Republic—to the extent it was considered at all—was widely regarded as a footnote to European film history, with little of enduring value. Since then, interest in East German cinema has exploded, inspiring innumerable festivals, books, and exhibits on the GDR’s rich and varied filmic output. In Re-Imagining DEFA, leading international experts take stock of this vibrant landscape and plot an ambitious course for future research, one that considers other cinematic traditions, brings genre and popular works into the fold, and encompasses DEFA’s complex post-unification “afterlife.”
Motion pictures --- Cinéma --- History. --- Histoire. --- Deutsche Filmgesellschaft. --- Cinéma --- Motion picture industry --- DEFA
Choose an application
Listing 1 - 5 of 5 |
Sort by
|