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Sacred space. --- Dance --- Art and dance. --- Art and religion. --- Christian art and symbolism --- Art, Byzantine. --- Lieux sacrés --- Danse --- Art et danse --- Art et religion --- Art et symbolisme chrétiens --- Art byzantin --- Religious aspects. --- Aspect religieux --- Sacred space --- Art and dance --- Art and religion --- Art, Byzantine --- Byzantine art --- Art, Christian --- Art, Ecclesiastical --- Arts in the church --- Christian symbolism --- Ecclesiastical art --- Symbolism and Christian art --- Art --- Religion and art --- Art and dancing --- Dance and art --- Dancing (in religion, folk-lore, etc.) --- Holy places --- Places, Sacred --- Sacred places --- Sacred sites --- Sacred spaces --- Sites, Sacred --- Space, Sacred --- Religious aspects --- Art, Medieval --- Religious art --- Symbolism --- Church decoration and ornament --- Religion --- Religious dance --- Holy, The --- Religion and geography --- Symbolism in art
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Phenomenology, New Materialism, and Advances In the Pulsatile Imaginary: Rites Of Disimagination brings together scholars from art history and image theory, literary studies and philosophy. Chapters of this volume engage with the overarching theme of imagination as a pulsatile force embedded in words, images, and all imaginative modes of instantiation of the work of art in their elemental aspects, expressed in visual arts, and literature, as well as bodily schemata of choreographic and musical performances. The papers employ contrasting and complementing methods from literary studies and image theory, especially phenomenology and new materialism, such as G. Bachelard and M. Merleau-Ponty, G. Bataille, J. Kristeva, P. Lacoue-Labarthe and J. Sallis, G. Didi-Huberman, H. Belting and A. Warburg, J. Bennett and Jason M. Wirth, as well as performance studies. Chapters in this volume inquire into the imaginative forces that disrupt and disinhibit the traditional habits of imagination to create pulsatile imaginaries, i.e., a dynamic process of “emergence-resurgence” of image manifested in the act of creation and in perception. This process does not properly imply a destruction of image, but rather a withdrawal of image from the realm of representation to give way to new images and new imaginative experiences. The newly coined term “rite of disimagination” points out to this operation, consecutively implying imagining and disimaging that both denies, as well as validates image – it valorizes matter. The affirmation of the materiality of image is “the re-incarnation of image.” Nicoletta Isar is Associate Professor Emerita in the Department of Arts and Cultural Studies at the University of Copenhagen (Denmark). She is author of numerous peer-reviewed articles and the books XOPÓΣ: The Dance of Adam. The Making of Byzantine Chorography (2011) and Elemental Chorology, Vignettes Imaginales (2020).
Continental Philosophy. --- Aesthetics. --- Literature --- Literary Theory. --- Philosophy. --- Continental philosophy.
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Philosophy --- Aesthetics --- Linguistics --- Literature --- geletterdheid --- esthetica --- filosofie --- literatuur --- Europe
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Viola, Bill, --- Exhibitions --- Exhibitions.
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