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The period between 1916 and 1956 was a unique interval in the history of Canadian publishing. During this period not only were a significant number of non-commercial literary, arts, and cultural magazines established, but it also happened that an unprecedented number of those involved in the creation and subsequent editing of this new type of magazine - the little magazine - were women. 'Editing modernity' examines these Canadian women writers and editors and their role in the production and dissemination of modernist and leftist little magazines.

Little magazines --- Women periodical editors --- 050 <71> --- 396 <05> --- 396 "19" --- 655.41 <71> --- 82:396 --- 82:396 Literatuur en feminisme --- Literatuur en feminisme --- Periodical editors --- Women editors --- Small magazines --- Periodicals --- 396 "19" Feminisme. Vrouwenbeweging. Vrouw en maatschappij--20e eeuw. Periode 1900-1999 --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--20e eeuw. Periode 1900-1999 --- 396 <05> Feminisme. Vrouwenbeweging. Vrouw en maatschappij--Tijdschriften --- Feminisme. Vrouwenbeweging. Vrouw en maatschappij--Tijdschriften --- 050 <71> Tijdschriften. Periodieken. Serials--(werken over)--Canada --- Tijdschriften. Periodieken. Serials--(werken over)--Canada --- History --- Uitgeverij--algemeen--Canada --- Poésie canadienne de langue anglaise --- Femmes écrivains --- Histoire et critique --- Ecrits de femmes canadiens-anglais --- Redactrices en chef --- Petites revues --- Gauche (Science politique) dans la litterature. --- Modernisme (Litterature) --- Histoire et critique. --- Histoire --- Histoire.

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The Canadian Modernists Meet is a collection of new critical essays on major and rediscovered Canadian writers of the early to mid-twentieth century. F.R. Scott's well-known poem 'The Canadian Authors Meet' sets the theme for the volume: a revisiting of English Canada's formative movements in modernist poetry, fiction, and drama. As did Scott's poem, Dean Irvine's collection raises questions - about modernism and antimodernism, nationalism and antinationalism, gender and class, originality and influence - that remain central to contemporary research on early to mid-twentieth-cen

Modernisme (Litterature) --- Litterature canadienne --- Modernism (Literature) --- Canadian literature --- Crepuscolarismo --- Literary movements --- Histoire et critique. --- History and criticism. --- 820 <71> --- 820 <71> Engelse literatuur--Canada --- Engelse literatuur--Canada

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An examination of the connections between modernist writers and editorial activities, Making Canada New draws links among new and old media, collaborative labour, emergent scholars and scholarships, and digital modernisms.

Mass media --- Modernism (Literature) --- Crepuscolarismo --- Literary movements --- Canada. --- Canada (Province) --- Canadae --- Ceanada --- Chanada --- Chanadey --- Dominio del Canadá --- Dominion of Canada --- Jianada --- Kʻaenada --- Kaineḍā --- Kanada --- Ḳanadah --- Kanadaja --- Kanadas --- Ḳanade --- Kanado --- Kanakā --- Province of Canada --- Republica de Canadá --- Yn Chanadey

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"Translocated Modernisms is a collection of ten chapters, partitioned into sections and framed by an introduction by the editors and a coda by Kit Dobson (Mount Royal University), which focuses on the other lost generations of expatriates from modernism's global peripheries--principally but not exclusively from Canada--who travelled to and through Paris in the early to mid-twentieth century. Translocated Modernisms is interested in those who thronged to the vibrant streets, cafés, and salons of Montparnasse, those who stayed such as Brion Gysin and Mavis Gallant, those who returned "home" such as Morley Callaghan, John Glassco, David Silverberg, and Sheila Watson, and those who galvanised local cultural practices by appropriating and translating them from elsewhere. While for some Paris becomes a permanent home, for others, it is simply a temporary excursion which can last for months, or for many years. The collection opens up the Lost Generation to include multiple generations and broadens its ambit to encompass modernist writers placed under erasure by dominant narratives of Anglo-American modernism. Instead of limiting the category to a single group based on a collective identity, this volume considers lost generations as a particular type of modernist identity attributable to multiple and disparate collectivities. These lost generations include those excluded from canonical narrativizations of expatriate modernisms, among which we spy the glimmer of other modernists living in the shadows of luminaries long recognized in the Anglo-American tradition."--

Authors, Canadian --- Modernism (Literature) --- Literature and transnationalism --- History --- Paris (France) --- Intellectual life --- Social life and customs --- Canadian literature --- History and criticism

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Au fil des vingt et quelques chapitres que compte cet ouvrage, les auteurs explorent le passé, le présent et l'avenir de la recherche, de l'enseignement et de l'expérimentation en sciences humaines numériques au Canada. Ce recueil, qui rassemble les travaux de chercheuses et de chercheurs établis et émergents, présente des initiatives contemporaines dans le domaine des sciences humaines numériques. Celles-ci sont conjuguées à un réexamen de l'héritage légué par ce domaine jusqu'à ce jour et à des discussions sur son potentiel. Future Horizons jette aussi un regard historique sur des projets numériques d'envergure, quoique largement méconnus, qui ont été réalisés au Canada. Future Horizons fait plonger le lecteur dans des projets qui mettent à contribution une vaste gamme d'approches - des jeux numériques aux laboratoires ouverts, des archives sonores à la poésie numérique, des arts visuels à l'analyse textuelle numérique - et qui puisent dans des matériaux canadiens tant historiques que contemporains. Dans leurs essais, les auteurs font voir comment une telle diversité d'approches remet en cause la connaissance en permettant aux chercheurs de poser de nouvelles questions.Ce recueil remet en question l'idée selon laquelle il n'existerait qu'une seule définition des sciences humaines numériques ou une seule identité collective nationale. En observant les interactions du numérique avec la race, l'autochtonie, le genre et la sexualité - sans oublier l'histoire, la poésie et le concept de nation -, Future Horizons propose une vue élargie du travail à l'intersection des sciences humaines numériques et des sciences humaines traditionnelles dans le Canada d'aujourd'hui. Ce livre est publié en anglais.Formats disponibles : couverture souple, PDF accessible et ePub accessible.

ART / Digital. --- Archives. --- Canadian Digital Humanities. --- Canadian Literature. --- Digital Humanities. --- Digital Poetics. --- Digital Projects. --- Humanities Computing.