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Je mehr die Bilder in den Blick der Wissenschaften treten, umso dringender wird der Ruf nach Orientierung in einer bereits ausufernden Forschungsliteratur. Der neue Band trägt diesem allgemeinen Wunsch Rechnung, indem er einige der Wortführer miteinander ins Gespräch bringt.
Image (Philosophy) --- Visual perception --- Visual communication --- Arts and society
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›Perspektivismus‹ ist ein fester Begriff der Philosophiegeschichte und reflektiert die Standortgebundenheit von Wahrnehmung und Erkenntnis. Nietzsche, der im Zentrum der gegenwärtigen Debatten um die Spaltung der Standorte in Perspektiven steht, warnte davor, daraus relativistische Schlüsse zu ziehen, wie das viele seiner Anhänger taten. Der Kunsthistoriker Panofksy erläuterte, wie die Perspektive zu einer symbolischen Form der Weltdeutung wurde. Wie aber werden Perspektiven konstruiert, dezentriert und als Perspektiven sichtbar gemacht und in ihren Konsequenzen bewertet? Vor allem in den perspektivischen Verfahren der künstlerischen Darstellung von Bild- und Erzählräumen wird diese Frage virulent. Diese Fragen beantworten die Beiträge des Bandes aus Philosophie, Film- und Kunstgeschichte, Literatur und Rechtstheorie.
Art --- Perspective (Philosophy) --- Perspectives in literature. --- Philosophy --- Philosophy.
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"The institutionalization of contemporary art, seen on a global scale, has only just begun. Despite an increase in global art production, and in the number of biennials, contemporary art has yet to find its footing in the museums outside the West- a phenomenon likely to affect the future of the museum. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. While migration is the issue in artists' circles, public museums as local institutions are confronted with the challenge of globalization. The reciprocal impact of contemporary non-Western art and local museums all over the world is the main focal point of this book. It assembles a group of art critics, anthropologists, and museum curators who address the identity of the museum and its change from a variety of viewpoints that reflect their different backgrounds. The critical essays were written for two international conferences, while other texts were chosen for their significance as exemplary analyses for the present situation."--Cover.
Art and globalization --- Art, Modern --- Art museums --- #SBIB:39A5 --- #SBIB:316.7C311 --- #SBIB:316.7C324 --- Globalization and art --- Globalization --- Art --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Museums --- Contemporary art --- Modernism (Art) --- Kunst, habitat, materiële cultuur en ontspanning --- Cultuurbeleid: internationaal --- Culturele infrastructuur: musea --- Galleries and museums --- Art and globalization - Congresses --- Art, Modern - 21st century - Congresses --- Art museums - Congresses
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Drawing --- Drawing, European --- Philosophy
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