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"Although the names Mandel'shtam and Nijinsky more commonly evoke the Russian poet and the ballet dancer, their wives, Nadezhda and Ramola, are also beginning to attract attention. Similarly, the lives and works of Simone de Beauvoir, Lou Andreas-Salome, Asja Lacis, and Maitreyi Devi, long represented as having been dominated by their association with some of the most important men of Western letters, are now coming into their own. These six women all wrote the stories of their own lives, creating powerful narratives that channelled cultural forces at the same time as parrying them. Susan Ingram analyses the literary, cultural, and ethical effects of these writers, whose lives were intertwined with the cultural vibrations of their time, and who heralded the postmodern in having to negotiate their subject positions in the form of a relational autonomy, an ethical sense of alterity, and a strong desire to intervene in the cultures of their times."--Jacket
Authors' spouses --- Autonomie dans la littérature --- Autonomie in de literatuur --- Autonomy in literature --- Dramatists' spouses --- Echtgenotes van schrijvers --- Epouses d'écrivains --- Femmes et littérature --- Identiteit (Psychologie) in de literatuur --- Identiteit in de literatuur --- Identity (Psychology) in literature --- Identity in literature --- Identité (Psychologie) dans la littérature --- Identité dans la littérature --- Novelists' spouses --- Poets' spouses --- Vrouwen en literatuur --- Women and literature --- Autobiography --- Man-woman relationships. --- Prose literature --- Women and literature. --- Women authors --- Women authors. --- History and criticism. --- Biography --- Jews in motion pictures. --- Authors, Women --- Female authors --- Women as authors --- Female-male relationships --- Male-female relationships --- Men --- Men-women relationships --- Relationships, Man-woman --- Woman-man relationships --- Women --- Women-men relationships --- Autobiography of women --- Women's autobiography --- Relations with women --- Relations with men --- Nietzsche, Friedrich Wilhelm, --- Nietzsche, Friedrich --- Nietzsche, Friederich --- Interpersonal relations --- Mate selection --- Literature --- Authors --- Holocaust, Jewish (1939-1945), in motion pictures. --- Motion pictures --- Literature [Modern ] --- 20th century --- History and criticism --- PERFORMING ARTS --- Film & Video / History & Criticism --- Holocaust, Jewish (1939-1945), in motion pictures --- Jews in motion pictures --- Music, Dance, Drama & Film --- Film --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts
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One of the most dynamic capital cities of the 21st century, Berlin also has one of the most tumultuous modern histories. A city that came of age, in many senses, with the cinema, it has been captured on film during periods of exuberance, devastation, division, and reconstruction.
Motion picture locations --- Motion pictures --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- Filming on location --- Locations (Motion pictures) --- Moving-picture locations --- Setting and scenery --- History and criticism --- Motion picture locations. --- Setting and scenery. --- Berlin (Germany) --- Germany --- In motion pictures.
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"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
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"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
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"Siting Futurity: The "Feel Good" Tactical Radicalism of Contemporary Culture in and around Vienna shows how cultural practitioners in and around Vienna draw on their historical knowledge of locality to create rousing productions designed to get audiences to inform themselves about useful aspects of history, to get them to engage their presents, and to help make possible more socially equitable futures. Analyses of politically engaged works of contemporary theatre, film, and photography set in and around Vienna help to identify a historically oriented mechanism that enables artists to tap into Vienna’s extraordinary, and extraordinarily under-appreciated, tradition of protest culture that dates back to the action that brought about the Wiener Neustadt “Blood Court” in the 16th century, but really came into its own with the city’s most influential occupation of an abandoned slaughterhouse for 100 days in the late summer of 1976. It also shows how work with a connection to Vienna by international stars like David Bowie, Wes Anderson, and Christoph Schlingensief has absorbed the same principles.While the overwhelming scale of technological development and the ensuing problems and crises may not have been deliberately designed to induce resignation, passivity, and despair, those who benefit from the related hyperobjects of financialization and climate change must find it convenient that they do, as demoralization reduces resistance to their profit-making machinations. It is in this context that Red Vienna’s proud tradition of social engagement and long tradition of resistance and radicality deserves to be better known.
Demonstrations & protest movements --- Austria --- Theatre studies --- Film theory & criticism --- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna --- activism, Austria, contemporary art, contemporary theater, protest culture, radicalism, social protest, Vienna
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History of civilization --- Eastern and Central Europe --- North America
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Medical personnel --- Physicians --- Malpractice --- Malpractice
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Surgical Management of Pain, Second Edition, is a completely updated state-of-the-art reference on neurosurgical pain management. This new edition is in full color and includes the following sections: Anatomic and Physiologic Foundations for Nociceptive and Neuropathic Pain, Pain Medicine, Pain Diagnoses, Surgical Procedures for Pain, and New Directions for Pain Surgery. The chapters in the book focus on procedures that are currently performed by neurosurgeons to relieve pain. Key Features: Emphasizes best evidence treatment options free online access to videos demonstrating surgical technique
Pain --- Pain management --- Pain medicine --- Aches --- Emotions --- Pleasure --- Senses and sensation --- Symptoms --- Analgesia --- Suffering --- Surgery. --- Treatment.
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