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"In Between Jardin et de la ville", Dorothée Imbert examine la carrière de l'architecte paysagiste belge Jean-Canneel Claes (1909-1989), établissant fermement sa place dans le mouvement moderniste. Canneel étude à La Cambre sous le paysagiste-urbaniste Louis van der Swaelmen et obtient son diplôme d'architecte de l'école du paysage en 1931. Il a commandé une maison au Corbusier et a collaboré avec d'éminents architectes modernistes belge Louis Herman De Koninck, Huib Hoste, et Victor Bourgeois. Canneel élargit l'ampleur de ses interventions à l'écologisation urbaine et l'aménagement des villes. En 1938, Canneel a uni ses forces à Christopher Tunnard pour fonder l'Association internationale des architectes de jardins modernes et faire avancer la cause du modernisme paysager à travers l'Europe. Deux ans plus tard, Canneel applique sa théorie fonctionnaliste du jardin à la reconstruction d'après-guerre avec des dessins pour les cimetières, terrains de sports et les places de la ville. Imbert positionne Canneel comme une figure majeure à la confluence de l'art, l'architecture et l'urbanisme dans le début du XXe siècle et ouvre de nouvelles voies pour la compréhension de la relation du modernisme dans les jardins, la nature et la ville.

Canneel-Claes, Jean --- Landscape architects --- Modern movement (Architecture) --- Architectes paysagistes --- Mouvement moderne (Architecture) --- Biography. --- Biographies --- Canneel-Claes, Jean, --- Modern movement (Architecture). --- Architecture du paysage --- Cités-jardins --- Mouvement moderne (architecture) --- Canneel-Claes, Jean (1909-1989) --- Critique et interprétation --- Cités-jardins --- Critique et interprétation --- Environmental planning --- landscape architecture [discipline]

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Description and history of the early churches and missions in New Mexico.

Church architecture --- Architecture, Spanish colonial --- Architecture --- Art, Architecture & Applied Arts --- Ecclesiastical architecture --- Rood-lofts --- Spanish colonial architecture --- Christian art and symbolism --- Religious architecture --- Architecture, Gothic --- Church buildings --- Architecture, Colonial

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Michel Desvigne is the most renowned French landscape architect in the world. Based in Paris, he has held guest professorships at such distinguished institutions as the Architectural Association in London and Harvard University. Desvigne’s projects have a strong strategic and conceptual component. Urban infrastructure projects play a major role, and emphasize the urban planning and design expertise evident in his landscape architecture.The book documents ten of Devigne’s major projects from France, the US, Spain and Qatar, in which he is responsible not only for the landscape architecture, but for coordination of the entire project. How can such highly complex projects be realized? What does the intellectual thought process look like? What specific problems arise in their realization?

Landschaps- en tuinarchitecten --- Landschapsarchitectuur ; Frankrijk --- Desvigne, Michel --- 712 --- Landschapsarchitectuur --- Paysage urbain --- Landschaps- & tuinarchitectuur --- Landschaps- & tuinarchitectuur

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72.01 --- 7.037.2 --- 72.036 --- 72.03 --- kubisme --- Europa --- 7.037.2 Kunststijlen: cubisme; purisme --- Kunststijlen: cubisme; purisme --- 72.01 Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- Architectuurtheorie. Bouwprincipes. Esthetica van de bouwkunst. Filosofie van de bouwkunst --- 20ste eeuw (architectuur) --- Twintigste eeuw (architectuur) --- Architectuurgeschiedenis --- Architectuur (geschiedenis) --- architecture [discipline] --- Art --- Cubist --- Architecture --- Cubism (Architecture) --- Cubism --- Influence. --- Cubisme --- Influence --- Cubisme (Architecture) --- Aesthetics --- Art, Modern --- Modernism (Art) --- Painting --- Cubo-futurism (Art) --- Post-impressionism (Art) --- Architecture, Cubist --- Cubist architecture --- Architecture, Modern --- Kunst --- Architectuur --- architectuur [vakgebied] --- kubistisch --- 72.01 Theory and philosophy of architecture. Principles of design, proportion, optical effect --- Theory and philosophy of architecture. Principles of design, proportion, optical effect