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"Although Dante's influence in the literary sphere is well documented, little has been written on his role in the evolution of the visual media unique to our times, namely cinema and television. Dante, Cinema, and Television corrects this oversight." "The essays in this volume, written by scholars from a broad range of disciplines, examine the impact of the Divine Comedy on film and television, focusing on specific directors, writers, producers, and actors, from cinema's silent era to the present. The essays also consider individual productions and the different modes of appropriation used in cinema and television. Dante Cinema, and Television demonstrates the many ways, both subtle and bold, in which Dante's Divine Comedy has been given new life by cinema and television, and underscores Dante's vast legacy to modern culture."--Jacket.

Motion pictures --- Dante Alighieri, --- Dante Alighieri --- Alighieri, Dante --- Dante, Alighieri --- Alih'eri, Dante --- Influence. --- History and criticism. --- History and criticism --- Alihii︠e︡ri, Dante, --- Alaghieri, Dante, --- Aldigeri, Dante, --- Aligeri, Dante, --- Allighieri, Dante, --- Aligerius, Dantes, --- Aligheri, Dante, --- Alighieri, Dante, --- Alleghieri, Dante, --- Durante Alighieri, --- Tan-ting, --- Danding, --- Dāntī Alījyīrī, --- Alīyīrī, Dāntī, --- Dante Alih'i︠e︡ri, --- Dante, --- Dant Aligīeri, --- Aligīeri, Dant, --- Dantte, --- Tantte, --- Dantis Alagherius, --- Danthe Alighieri, --- Alighieri, Danthe, --- Dante Alig'i︠e︡ri, --- Alig'i︠e︡ri, Dante, --- Ailígiéirí, Dainté, --- Dantė Aligjeris, --- Dānté ʼAligiyéri, --- Makākavi Tāntē, --- Tāntē Alikiyari, --- Alikiyari, Tāntē, --- אליגיירי דנטי --- אליגירי, דנטי --- דאנטי אליגיירי --- דאנטי אליגיירי, --- דאנט, --- דנטה אליגיירי, --- דנטה אליגירי, --- דנטי אליגיארי, --- דנטי אליגירי, --- دانتى ألغييري --- دانتي أليجيري،, --- ダンテ, --- Данте Аліґгіері, --- Divina commedia. --- Italy. --- Italia --- Italian Republic --- Italianska republika --- Italʹi͡anskai͡a Rėspublika --- Italie --- Italien --- Italii͡ --- Italii͡a Respublikasi --- Italiĭsʹka Respublika --- Itālija --- Itālijas Republika --- Italijos Respublika --- Italikē Dēmokratia --- Īṭāliy --- Italiya Respublikasi --- It'allia --- It'allia Konghwaguk --- İtalya --- İtalya Cumhuriyeti --- Iṭalyah --- Iṭalye --- Itaria --- Itaria Kyōwakoku --- Jumhūrīyah al-Īṭālīyah --- Kgl. Italienische Regierung --- Königliche Italienische Regierung --- Laško --- Lýðveldið Ítalía --- Olasz Köztársaság --- Olaszország --- Regno d'Italia --- Repubblica italiana --- Republiḳah ha-Iṭalḳit --- Włochy --- Yidali --- Yidali Gongheguo --- Italy

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Mass media --- Technology --- Médias --- Technologie --- Congresses --- Congresses --- Congrès --- Congrès --- McLuhan, Marshall, --- Congresses.

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The twenty-five original essays in this remarkable book constitute both a state of the art survey of Dante scholarship and a manifesto for new understandings of one of the world’s great poets. The fruit of an historic conference called by the Dante Society of America, the essays confront a range of important questions. What theories, methods, and issues are unique to Dante scholarship? How are they changing? What is the essence of the distinctive American Dante tradition? Why—and how—do we read Dante in today’s global, postmodern culture? From John Ahern on the first copies of the Commedia to Peter Hawkins and Rachel Jacoff on Dante after modernism, the essays shed brilliant new light on Dante’s texts, his world, and what we make of his legacy. The contributors: John Ahern, H. Wayne Storey, Guglielmo Gorni, Teodolinda Barolini, Gary P. Cestaro, Lino Pertile, F. Regina Psaki, Steven Botterill, Giuseppe Mazzotta, Alison Cornish, Robert M. Durling, Manuele Gragnolati, Giuliana Carugati, Susan Noakes, Zygmunt Baranski, Christopher Kleinhenz, Ronald L. Martinez, Ronald Herzman, Amilcare Iannucci, Albert Russell Ascoli, Michelangelo Picone, Jessica Levenstein, David Wallace, Piero Boitani, Peter Hawkins, and Rachel Jacoff.