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Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded – by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and “immersion”. The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford’s westerns to Chantal Akerman’s claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller’s Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao’s award-winning NOMADLAND.
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Leading figures at the dawn of the sixteenth-century Reformation commonly faced the charge of "judaizing": 72 In His Name concerns the changing views of four such men starting with their kabbalistic treatment of the 72 divine names of angels.Johann Reuchlin, the first of the four men featured in this book, survived the charge; Martin Luther's increasingly anti-semitic stance is contrasted with the opposite movement of the French Franciscan Jean Thenaud whose kabbalistic manuscripts were devoted to Francis I; Philipp Wolff, the fourth, had been born into a Jewish family but his recorded views were decidedly anti-semitic.72 In His Name also includes evidence that kabbalistic beliefs and practices, such as the service for exorcism recorded by Thenaud, were unwittingly recorded by Christians. Although the book concerns early modern Europe, the religious interactions, the shifting spiritual attitudes, and the shadows cast linger on.
Christian Antisemitism. --- Christian-Jewish Relations. --- Church history. --- European Religion. --- Hebrew. --- Jean Thenaud. --- Johann Reuchlin. --- Kabbalah. --- Martin Luther. --- Philipp Wolff. --- Protestantism. --- Reformation History. --- Renaissance. --- Tolerance. --- antisemitism. --- biblical interpretation. --- divine names. --- early modern Europe. --- history. --- interfaith relations. --- philosophy. --- religious intolerance. --- sixteenth century. --- theology. --- RELIGION / Judaism / Kabbalah & Mysticism. --- Reuchlin, Johann, --- Luther, Martin, --- Thenaud, Jean, --- Wolff, Philippe, --- Influence. --- Luther, Maarten --- Lutherus, Martinus --- Lutero, Martin --- Reuchlin, Johann --- Kapnion, Johannes, --- Capnio, Johannes, --- Reuchlinus, Johannes, --- Reuchlinus, Ioannes, --- Reuchlinus, Joannes, --- Reuchlin, Jean, --- Reuchlin, Johannes, --- Reuchlin, Johannes --- Luther, Martin --- Luter, Martinos, --- Lutr, Martin, --- Лютер, Мартін, --- Li︠u︡ter, Martin, --- Luter, Marcin, --- Luther, Maarten, --- Lutero, Martín, --- Luther, Martinus, --- Luther, Márton, --- Luther, Martti, --- Luther, Martí, --- Lutʻŏ, --- Lūtœ̄, Mātīn, --- D. M. L. A., --- Luters, Mārtiņš, --- Luter, Marṭin, --- Luther, Marczin, --- Rutā, Marutin, --- Joerg, Junker, --- לוטהער, מארטין --- לוטהער, מארטין, --- לותר --- 路德马丁, --- Luttar Cāstiriyār, --- Cāstiriyār, Luttar, --- ルター マルティン, --- Лютэр, Марцін, --- Li︠u︡tėr, Martsin, --- Лутер, Мартин, --- Liuteris, Martynas, --- Lutawm, Matees, --- Lu-toe, Ma-ti, --- Lotera, Martin, --- Lusā, Mātaṅʻ, --- Lūthœ̄, Mātin, --- Luta, Martin, --- Lute̳e̳r, Martẽ, --- Lūthar, Mārṭin,
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Film has long been defined as a temporal art, most famously by André Bazin and Andrei Tarkovsky. Yet more fundamentally it has always been a spatial art, transporting its audiences imaginatively to spaces and places other than those they literally inhabit. In the digital era, this spatial illusion and paradox has been greatly expanded – by the predominance of domestic film viewing, along with new extra-terrestrial perspectives, and the promise of novel kinesthetic experiences with Virtual Reality and “immersion”. The international authors in this collection address the history and aesthetics of screen media as spatial transposition, in a range of exemplary analyses that run from the landscapes of John Ford’s westerns to Chantal Akerman’s claustrophobic domestic spaces, from the conventions of the English country house film to Patrick Keiller’s Robinson roaming a changed country, and from the experiences of Covid pandemic confinement to those of un-homed van-dwellers in Chloe Zhao’s award-winning NOMADLAND.
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Indian art --- Inuit art --- Art indien d'Amérique --- Art inuit
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Museology --- Conservation. Restoration --- conservation [discipline] --- museology --- museumkunde --- conservatie
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