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Uses linguistic and semiotic analytical techniques to interrogate the use of language in the construction of political discourses. An impressively broad range of methodologies is used, each to explore a substantive political issue.
Political science --- Social sciences. --- Behavioral sciences --- Human sciences --- Sciences, Social --- Social science --- Social studies --- Civilization --- Methodology. --- #SBIB:303H13 --- #SBIB:309H518 --- #SBIB:32H3 --- #SBIB:IO --- Methodology --- Methoden en technieken: politieke wetenschappen --- Verbale communicatie: sociologie, antropologie, sociolinguistiek --- Politieke wetenschappen: inleidende werken, handboeken, methoden --- Science politique --- Méthodologie
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This chapter addresses how concepts of narrative and narration have been used in theories of cultural trauma. My point of departure is an article by Wulf Kansteiner and Harald Weilnböck, where they criticize the concept of cultural trauma or what they call the paradigm of "deconstructive trauma discourse." They argue that this paradigm not only misuses the concept of psychological trauma by adapting it to a cultural realm, but also refuses to recognize the significance of narratives in trauma therapy. I will challenge their criticism by taking a closer look at how the concept of cultural traum
Psycholinguistics --- Fiction --- Pragmatics --- Discourse analysis --- Narrative inquiry (Research method) --- Cohesion (Linguistics) --- Psychological aspects --- Coherence (Linguistics) --- Cohesiveness (Linguistics) --- Linguistics --- Narrative analysis (Research method) --- Narrative research (Research method) --- Narratological inquiry (Research method) --- Research --- Psychological aspects. --- Discourse analysis - Psychological aspects
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Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents.
Discourse analysis, Narrative. --- Narration (Rhetoric) --- Literature --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Narrative discourse analysis --- History and criticism --- Theory, etc. --- Literature History and criticism --- Literary Authorship. --- Narrative Theory. --- Vladimir Nabokov.
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