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Interpreting the political
Authors: ---
ISBN: 1280108908 0203287665 0203435346 1134788452 9780203435342 9780415131940 0415131944 9780415131957 0415131952 9780203287668 0415131944 0415131952 9781280108907 9781134788453 9781134788408 9781134788446 1134788444 Year: 1997 Publisher: London New York Routledge

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Abstract

Uses linguistic and semiotic analytical techniques to interrogate the use of language in the construction of political discourses. An impressively broad range of methodologies is used, each to explore a substantive political issue.


Book
Terror and the arts: artistic, literary, and political interpretations of violence form Dostoyevksy to Abu Ghraib
Authors: ---
ISBN: 9780230606715 Year: 2008 Publisher: New York (N.Y.) Palgrave Macmillan

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The travelling concepts of narrative
Authors: --- ---
ISSN: 15682706 ISBN: 9789027226587 9789027271969 9027271968 9781299662117 1299662110 902722658X Year: 2013 Volume: 18 Publisher: Amsterdam

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This chapter addresses how concepts of narrative and narration have been used in theories of cultural trauma. My point of departure is an article by Wulf Kansteiner and Harald Weilnböck, where they criticize the concept of cultural trauma or what they call the paradigm of "deconstructive trauma discourse." They argue that this paradigm not only misuses the concept of psychological trauma by adapting it to a cultural realm, but also refuses to recognize the significance of narratives in trauma therapy. I will challenge their criticism by taking a closer look at how the concept of cultural traum


Book
Narrative, Interrupted
Authors: --- --- --- --- --- et al.
ISBN: 1283627914 9786613940360 3110259974 9783110259971 9783110259957 3110259958 Year: 2012 Publisher: Berlin Boston

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Recent postclassical narratology has constructed top-down reading models that often remain blind to the frame-breaking potential of individual literary narratives. Narrative, Interrupted goes beyond the macro framing typical of postclassical narratology and sets out to sketch approaches more sensitive to generic specificities, disturbing details and authorial interference. Unlike the mainstream cognitive approaches or even the emergent unnatural narratology, the articles collected here explore the artifice involved in presenting something ordinary and realistic in literature. The first section of the book deals with anti-dynamic elements such as dialogue, details, private events and literary boredom. The second section, devoted to extensions of cognitive narratology, addresses spatiotemporal oddities and the possibility of non-human narratives. The third section focuses on frame-breaking, fragmentarity and problems of authorship in the works of Vladimir Nabokov. The book presents readings of texts ranging from the novels of Don DeLillo and Thomas Pynchon to the Animal Man comics. The common denominator for the texts discussed is the interruption of the chain of events or of the experiential flow of human-like narrative agents.

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