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Through a series of critical readings this book builds a picture of the Roman reaction to, and adoption of, the Greek poetry of the last three pre-Christian centuries. Although the poetry of the greatest figure of Greek poetry after Alexander, Callimachus of Cyrene, and his contemporaries stands at the heart of the book, the individual studies embrace the full scope of what remains of Hellenistic poetry, both high literary productions and the more marginal poetry, such as that in honour of the great goddess Isis. The singularity of the poetry of Catullus and Virgil, of Horace and the elegists, emerges as more rich and complex than has hitherto been appreciated. Individual studies concern the poets' declared attitudes to their own work, the figure of Dionysus/Bacchus and the poetry of world conquest, the creation of similes, and the conversion of Greek bucolic into Latin pastoral.

Greek poetry, Hellenistic --- Poésie grecque hellénistique --- Callimachus --- Appreciation --- Poésie grecque hellénistique --- Callimachus Cyrenaeus --- Callimaco --- Callimaque --- Kallimachus --- Kallimachos --- Kallimachos van Kyrene --- Arts and Humanities --- History --- Kallimakh --- Kālīmākhūs al-Qūrīnī --- Qūrīnī, Kālīmākhūs --- Calímaco --- Kallimach --- Καλλίμαχος

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In writing this book on the plays of New Comedy the author's aim is to fill a gap in the existing literature by concentrating on what one might look for in watching and reading these plays and why such an exercise might be pleasurable. The social comedy of Menander, Plautus and Terence provided a style of comic drama which was to prove the root of all subsequent western comedy. Dr Hunter gives a literary account of this drama, placing it in its ancient context and then ranging over a number of specific topics and themes: the dramatic craft of the poets, their exploration of how to give variety to stereotyped plots and characters, the presentation of women, the use of language and themes from tragedy, the place of moralising and philosophy. All Greek and Latin is translated.

Classical drama (Comedy) --- History and criticism. --- 871-22 --- 875-22 --- -Latijnse literatuur: comedie --- Griekse literatuur: comedie --- -875-22 Griekse literatuur: comedie --- 871-22 Latijnse literatuur: comedie --- Latijnse literatuur: comedie --- Classical Latin literature --- Classical Greek literature --- Drama --- 875-22 Griekse literatuur: comedie --- History and criticism --- Arts and Humanities --- History --- Classical drama (Comedy) - History and criticism.

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Homer was the greatest and most influential Greek poet. In this book, Richard Hunter explores central themes in the poems' reception in antiquity, paying particular attention to Homer's importance in shaping ancient culture. Subjects include the geographical and educational breadth of Homeric reception, the literary and theological influence of Homer's depiction of the gods, Homeric poetry and sympotic culture, scholarly and rhetorical approaches to Homer, Homer in the satires of Plutarch and Lucian, and how Homer shaped ideas about the power of music and song. This is a major and innovative contribution to the study of the dominant literary force in Greek culture and of the Greek literary engagement with the past. Through the study of their influence and reception, this book also sheds rich light on the Homeric poems themselves. All Greek and Latin are translated.

Antike. --- Influence (Literary, artistic, etc.). --- Rezeption. --- Homer --- Homer. --- Homerus, --- Influence. --- Iliad (Homer). --- Odyssey (Homer). --- Hóiméar --- Hūmīrūs --- Homeros --- Gomer --- Omir --- Omer --- Omero --- Ho-ma --- Homa --- Homérosz --- האמער --- הומירוס --- הומר --- הומרוס --- هومر --- هوميروس --- 荷马 --- Ὅμηρος --- Гамэр --- Hamėr --- Омир --- Homère --- Homero --- 호메로스 --- Homerosŭ --- Homērs --- Homeras --- Хомер --- ホメーロス --- ホメロス --- Гомер --- Homeri --- Hema --- Pseudo-Homer --- Pseudo Omero --- Homerus. --- E-books --- Homerus

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Exploring both how Plato engaged with existing literary forms and how later literature then created 'classics' out of some of Plato's richest works, this book includes chapters on such subjects as rewritings of the Apology and re-imaginings of Socrates' defence, Plato's high style and the criticisms it attracted, and how Petronius and Apuleius threaded Plato into their wonderfully comic texts. The scene for these case studies is set through a thorough examination of how the tradition constructed the relationship between Plato and Homer, of how Plato adapted poetic forms of imagery to his philosophical project in the Republic, of shared techniques of representation between poet and philosopher and of foreshadowings of later modes of criticism in his Ion. This is a major contribution to Platonic studies, to the history of Platonic reception from the fourth century BC to the third century AD and to the literature of the Second Sophistic.

Greek literature --- History and criticism. --- Appreciation. --- Plato --- Platon --- Aflāṭūn --- Aplaton --- Bolatu --- Platonas --- Platone --- Po-la-tʻu --- Pʻŭllatʻo --- Pʻŭllatʻon --- Pʻuratʻon --- Πλάτων --- אפלטון --- פלאטא --- פלאטאן --- פלאטו --- أفلاطون --- 柏拉圖 --- 플라톤 --- Платон --- プラトン --- Criticism and interpretation. --- Influence. --- Plato. --- Littérature grecque --- Histoire et critique. --- Appréciation. --- Arts and Humanities --- History