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"The Face of medicine examines the overlapping worlds of art and medicine in late nineteenth-century France. It sheds new light on the relevance of the visual in medical and scientific cultures and on the relationship between artistic and medical practices and imagery. By analysing previously unstudied multi-disciplinary sources, this original study rethinks the politics of medical representations and their social impact. Hunter argues that artworks and medical collections played a key role in forming the public face of medicine. Through a focused examination of paintings from the 1886 and 1887 Paris Salons that portray famous men from the medical and scientific elite - Louis Pasteur, Jules-Émile Péan and Jean-Martin Charcot - along with the images and objects that these men made for personal and occupational purposes, she explores how the masculinities of eminent medical men were visualised. ... [The Face of medicine] will appeal to all those interested in the cultural and visual history of medicine - academics and students in art history, visual culture, gender studies, French history, museum studies, and the medical humanities."--Back cover.

Art. --- Masculinity in art. --- Medicine. --- Scientists. --- Medicine and art --- Medicine --- Scientists --- Art --- Médecine et art --- Médecine --- Masculinité dans l'art --- Scientifiques --- History --- Portraits. --- History. --- Histoire --- Portraits --- 1800 - 1899 --- France --- Masculinity in art --- Masculinity --- Medicine in the Arts --- History, 19th Century --- Hysteria --- 7.036(44) --- 7.049 --- Kunst en geneeskunde ; Frankrijk ; 19de eeuw --- Gender Studies --- Professional employees --- Hysterical Neuroses --- Neuroses, Hysterical --- 19th Cent. History (Medicine) --- 19th Cent. History of Medicine --- 19th Cent. Medicine --- Historical Events, 19th Century --- History of Medicine, 19th Cent. --- History, Nineteenth Century --- Medical History, 19th Cent. --- Medicine, 19th Cent. --- 19th Century History --- 19th Cent. Histories (Medicine) --- 19th Century Histories --- Cent. Histories, 19th (Medicine) --- Cent. History, 19th (Medicine) --- Century Histories, 19th --- Century Histories, Nineteenth --- Century History, 19th --- Century History, Nineteenth --- Histories, 19th Cent. (Medicine) --- Histories, 19th Century --- Histories, Nineteenth Century --- History, 19th Cent. (Medicine) --- Nineteenth Century Histories --- Nineteenth Century History --- Medicine in Art --- Medicine in Arts --- Masculinity (Psychology) in art --- Health Workforce --- Art and medicine --- Art and science --- Anatomy, Artistic --- Medical illustration --- Kunstgeschiedenis ; Realisme. Impressionisme. Naturalisme ; 19de eeuw ; Frankrijk --- Iconografie ; verschillende onderwerpen --- Paris. --- Art history --- History of art

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Mozart's comic operas are among the masterworks of Western civilization, and yet the musical environment in which Mozart and his librettist Lorenzo da Ponte wrote these now-popular operas has received little critical attention. In this richly detailed book, Mary Hunter offers a sweeping, synthetic view of opera buffa in the lively theatrical world of late-eighteenth-century Vienna. Opera buffa (Italian-language comic opera) persistently entertained audiences at a time when Joseph was striving for a German national theater. Hunter attributes opera buffa's success to its ability to provide "sheer" pleasure and hence explores how the genre functioned as entertainment. She argues that opera buffa, like mainstream film today, projects a social world both recognizable and distinct from reality. It raises important issues while containing them in the "merely entertaining" frame of the occasion, as well as presenting them as a series of easily identifiable dramatic and musical conventions. Exploring nearly eighty comic operas, Hunter shows how the arias and ensembles convey a multifaceted picture of the repertory's social values and habits. In a concluding chapter, she discusses Cos" fan tutte as a work profoundly concerned with the conventions of its repertory and with the larger idea of convention itself and reveals the ways Mozart and da Ponte pointedly converse with their immediate contemporaries.

Mozart, Wolfgang Amadeus, 1756-1791. Operas. --- Opera -- Austria -- Vienna -- 18th century. --- Opera, Comic --- Opera --- Mozart, Wolfgang Amadeus, --- Comic opera --- Lyric drama --- Operas --- Drama --- Dramatic music --- Singspiel --- History and criticism --- Austria --- Vienna (Austria) --- 18th century --- E-books --- Theatrical science --- anno 1500-1599 --- Vienna

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Opera --- Opéra --- Mozart, Wolfgang Amadeus, --- Opéra --- Music --- Theatrical science --- anno 1700-1799 --- Vienna

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"Haydn is enjoying renewed appreciation as one of the towering figures of Western music history. This lively collection builds upon this resurgence of interest, with chapters exploring the nature of Haydn's invention and the cultural forces that he both absorbed and helped to shape and express. The volume addresses Haydn's celebrated instrumental pieces, the epoch-making Creation and many lesser-known but superb vocal works including the Masses, the English canzonettas and Scottish songs and the operas L'isola disabitata and L'anima del filosofo. Topics range from Haydn's rondo forms to his violin fingerings, from his interpretation of the Credo to his reading of Ovid's Metamorphoses, from his involvement with national music to his influence on the emerging concept of the musical work. Haydn emerges as an engaged artist in every sense of the term, as remarkable for his critical response to the world around him as for his innovations in musical composition"-- "It is finally and mercifully a boring truism to say that Haydn's reputation no longer rests on his position as precursor to Mozart and Beethoven or as the jolly but superficial "Papa" Haydn. It is also a truism of introductions to Haydn volumes to say that the composer is finally getting both the quantity and quality of attention he richly deserves. However, since one of the qualities of a truism is truth, it is worth pointing out that this volume builds on a scholarly tradition spanning the second half of the twentieth century and showing no signs of diminishing today, which contests the still-extant and historically incomplete (at best) tendency to think of the eighteenth century as the century of Bach and Mozart rather than of Handel and Haydn"--

Genres & Styles --- Music --- Opera. --- Haydn, Joseph, --- Criticism and interpretation. --- Musique

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