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An examination of how the scientific study of sound sensation became increasingly intertwined with musical aesthetics in nineteenth-century Germany and Austria.

Psychoacoustics --- Sound --- Avant-garde (Music) --- History --- Experiments --- Experimental music --- Musical avant-garde --- Acoustics --- Avant-garde (Aesthetics) --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of --- Psychophysics --- SCIENCE, TECHNOLOGY & SOCIETY/History of Science --- ARTS/Music & Sound Studies --- COGNITIVE SCIENCES/Psychology/Cognitive Psychology --- Avant-Garde (Music) --- Science

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Long ignored by scholars in the humanities, sound has just begun to take its place as an important object of study in the last few years. Since the late 19th century, there has been a paradigmatic shift in auditory cultures and practices in European societies. This change was brought about by modern phenomena such as urbanization, industrialization and mechanization, the rise of modern sciences, and of course the emergence of new sound recording and transmission media. This book contributes to our understanding of modern European history through the lens of sound by examining diverse subjects

Sound --- Hearing --- Noise --- Social change --- Son --- Audition (Physiologie) --- Bruit --- Changement social --- Social aspects --- History --- Recording and reproducing --- History. --- Aspect social --- Histoire --- Enregistrement et reproduction --- Europe --- Civilization --- Social life and customs. --- Social conditions. --- Civilisation --- Moeurs et coutumes --- Conditions sociales --- Acoustics --- Continuum mechanics --- Mathematical physics --- Physics --- Pneumatics --- Radiation --- Wave-motion, Theory of