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Martin, Agnes, --- Criticism and interpretation.

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Best known for her striking drawings of ocean surfaces, begun in 1968 and revisited over many years both in drawings and paintings, Vija Celmins (b. 1938) has been creating exquisitely detailed renderings of natural imagery for more than five decades. The oceans were followed by desert floors and night skies--all subjects in which vast, expansive distances are distilled into luminous, meticulous, and mesmerizing small-scale artworks. For Celmins, this obsessive "redescribing" of the world is a way to understand human consciousness in relation to lived experience. The first major publication on the artist in twenty years, this comprehensive and lavishly illustrated volume explores the full range of Celmins's work produced since the 1960s--drawings and paintings as well as sculpture and prints. Scholarly essays, a narrative chronology, and a selection of excerpts from interviews with the artist illuminate her methods and techniques; survey her early years in Los Angeles, where she was part of a circle that included James Turrell and Ken Price; and trace the development of her work after she moved to New York City and befriended figures such as Robert Gober and Richard Serra. Exhibition: San Francisco Museum of Modern Art, USA (15.12.2018-31.03.2019); Art Gallery of Ontario, Toronto, Canada (13.06-11.08.2019); The Met Breuer, New York, USA (01.10.2019-12.01.2020).

Kunst --- etsen [prenten] --- beeldhouwwerken [beeldmateriaal] --- found objects --- tekenen --- schilderen [kunst] --- oorlogen --- trompe-l'oeil --- oceanen --- buitenaardse hemellichamen --- reproducties --- potlood [medium] --- Celmins, Vija --- vergrotingen --- Art --- etchings [prints] --- sculpture [visual works] --- drawing [image-making] --- painting [image-making] --- wars --- enlargements [copies] --- oceans --- extraterrestrial bodies --- reproductions [derivative objects] --- pencils [drawing and writing equipment] --- oceans [marine bodies of water]

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Thomas Lerooy – A Field Guide is a monographic publication that brings together key works by the Belgian artist from 2006 until today. The book is a field guide into the artist’s practice, that establishes formal and conceptual links between works from different periods and in different media. The authors, Tatjana Bacal, Suzanne Hudson and Jean-Philippe Antoine, renowned writers in the domains of anthropology, contemporary painting, and art history, each shed a light on Thomas Lerooy’s work from their unique perspective.