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Photography, Artistic --- Street photography --- Photography --- History --- Psychological aspects --- Photo League --- Milwaukee Art Museum --- 77.038 --- 77.046 --- Bourke-White Margaret --- Brodovitch Alexey --- Burckhardt Rudy --- Capa Robert --- Cartier-Bresson Henri --- Croner Ted --- Donaghy Don --- Evans Walker --- Faurer Louis --- fotografie --- Frank Robert --- Grossman Sid --- Gutmann John --- Heath Dave --- Klein William --- Leiter Saul --- Levinstein Leon --- Levitt Helen --- Mayne Roger --- Model Lisette --- Newman Marvin --- New York --- Paulin Frank --- Smith W. Eugene --- stadsfotografie --- straatfotografie --- twintigste eeuw --- Verenigde Staten --- Vestal David --- Weegee --- Cityscape photography --- Outdoor photography --- Artistic photography --- Photography, Pictorial --- Pictorial photography --- Art --- Aesthetics --- Milwaukee (Wis.). --- Miruwōkī Bijutsukan --- Milwaukee Art Center --- Exhibitions --- New York Photo League

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"A retrospective publication of artist David Levinthal, whose photographs examine the relationship between American popular imagery and personal fantasy in the contexts of romance, sex, war, history, sports, space, and social stereotypes"--

Photography, Artistic --- Levinthal, David

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Photographer Marcia Resnick (b. 1950) earned recognition as part of the legendary Downtown New York art scene of the 1970s and 1980s. Her portraits of the era's major cultural figures, such as Jean-Michel Basquiat, John Belushi, and Susan Sontag, have contributed to the scene's mythic status. Against this backdrop, Resnick also produced a significant body of work that engaged with the history of art, took a humorous approach to conceptual art and feminism, and proposed new ideas for what photography could be. Spanning the artist's career, this richly illustrated volume explores Resnick's early influences and education at Cooper Union and CalArts; discusses her series and photobooks such as See and Re-visions; and situates the artist's work within the history of contemporary art. An afterword by Laurie Anderson speaks to the very personal vision of Resnick's photography.

kunst --- fotografie --- conceptuele kunst --- concept art --- enscenering --- stillevenfotografie --- feminisme --- Verenigde Staten --- twintigste eeuw --- Resnick Marcia --- woord en beeld --- 77.071 RESNICK --- Resnick, Marcia / Exhibitions --- Resnick, Marcia / Criticism and interpretation --- Photography, Artistic / Exhibitions --- Portrait photography / Exhibitions --- Photographie artistique / Expositions --- Portraits (Photographie) / Expositions --- PHOTOGRAPHY / General --- Resnick, Marcia --- Photography, Artistic --- Portrait photography --- Criticism, interpretation, etc --- Photographie --- Catalogues d'exposition

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From magazine pages to gallery walls, from advertisements to photojournalism, Color Rush charts the history of color photography in the United States from the moment it became available as a mass medium to the moment when it no longer seemed an unusual choice for artists. The book begins with the 1907 unveiling of autochrome, the first commercially available color process, and continues up through the 1981 landmark survey show and book The New Color Photography, which hailed the widespread acceptance of color photography in contemporary art. Color Rush brings together Ansel Adams, William Eggleston, Eliot Porter, Cindy Sherman, Edward Steichen, Stephen Shore, and many more.

Color photography --- Photography, Artistic --- History