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The last great American picture show: New Hollywood, 1967-1976
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ISBN: 385458511X Year: 1995 Publisher: Wien Wespennest

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Documenta Kassel 16/06-23/09 2007 : Filmprogramm/ Film Programme.
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Year: 2007 Publisher: Kassel Museum Fridericianum Veranstaltung -GmbH

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Josef von Sternberg. The Case of Lena Smith.
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ISBN: 9783901644221 Year: 2007 Publisher: Wien SYNEMA - Gesellschaft für Film und Medien

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Avantgardefilm Österreich, 1950 bis heute
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ISBN: 385458508X Year: 1995 Publisher: Wien Wespennest

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Film --- Austria

The last great American picture show : new Hollywood cinema in the 1970s
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ISBN: 9053566317 9053564934 9786610958948 1280958944 904850368X 1417521724 9781417521722 9789048503681 9789053564936 9789053566312 Year: 2004 Volume: *2 Publisher: Amsterdam : Amsterdam university press,

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A unique evaluation of the American cinema of the 1970s, including cult film directors such as Peter Bogdanovich, Robert Altman and Monte Hellman.


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Fünfzig Jahre Österreichisches Filmmuseum, 1964/2014.
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ISBN: 9783901644535 9783901644542 9783901644559 9783901644566 Year: 2014 Publisher: Wien : Synema,


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Film curatorship: archives, museums, and the digital marketplace
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ISBN: 9783901644245 Year: 2008 Publisher: Wien SYNEMA

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Museology --- Film --- Archivistics


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The last great American picture show : new Hollywood cinema in the 1970s
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ISBN: 9789048503681 Year: 2004 Publisher: Amsterdam Amsterdam University Press

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Pitch Fever.
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Year: 1999 Publisher: Gent : Desire Productions,

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Film Curatorship : archives, museums, and the digital marketplace
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ISBN: 9783901644825 3901644822 Year: 2020 Publisher: New York : Columbia University Press,

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What are the major issues and challenges that film archives, cinémathèques, and film museums are bound to face in the digital age and at a time when there is an expectation of access on demand ? What is curatorship, and what does it imply in the context of film preservation and presentation ? Is there a concept of “cinema event" that transcends the idea of film as “content” or “art” in the era of information ? Film Curatorship is an experiment: a collective text, a montage of dialogues, conversations, and exchanges among four professionals representing three generations of film archivists and curators. It calls for an open philosophical and ethical debate on fundamental questions the profession must come to terms with in the twenty-first century.

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