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This innovative study claims camp as a critical, yet pleasurable strategy for women’s engagement with contemporary popular culture as exemplified by 30 Rock or Lady Gaga. In detailed analyses of lesbian cinema, postfeminist TV, and popular music, the book offers a novel take on its subject. It defines camp as a unique mode of detached attachment, which builds on affective intensity and emotional investment, while strongly encouraging a critical edge.

Culture --- Motion pictures and television. --- Music. --- Sociology. --- Sex (Psychology). --- Gender expression. --- Gender identity. --- Cultural and Media Studies. --- Popular Culture. --- Gender Studies. --- Film and Television Studies. --- Feminist Culture. --- Culture and Gender. --- Sex identity (Gender identity) --- Sexual identity (Gender identity) --- Identity (Psychology) --- Sex (Psychology) --- Queer theory --- Expression, Gender --- Sex role --- Psychology, Sexual --- Sex --- Sexual behavior, Psychology of --- Sexual psychology --- Sensuality --- Social theory --- Social sciences --- Art music --- Art music, Western --- Classical music --- Musical compositions --- Musical works --- Serious music --- Western art music --- Western music (Western countries) --- Moving-pictures and television --- Television and motion pictures --- Television --- Cultural studies --- Study and teaching. --- Psychological aspects --- Camp (Style) --- Women in popular culture. --- Popular culture --- Women --- Aesthetics --- Public opinion --- Culture. --- Gender. --- Popular Culture . --- Screen Studies. --- Cultural sociology --- Sociology of culture --- Civilization --- Culture, Popular --- Mass culture --- Pop culture --- Popular arts --- Communication --- Intellectual life --- Mass society --- Recreation --- Social aspects

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Femmes --- Weimar (Allemagne) --- Iéna (Allemagne) --- Vie intellectuelle. --- Vie intellectuelle

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Dieses Buch widmet sich den Stimmen und Gesangsweisen in der populären Musik der USA. Am Beispiel von Sängerinnen und Sängern aus den Bereichen Vaudeville, Gospel, Blues, American Popular Song, Musical, Jazz, Country, Folk, Rhythm & Blues, Rock'n'Roll und Soul beschreiben die Beiträge detailliert, wie vokale Ausdrucksmittel einander über Genregrenzen hinweg beeinflusst haben und wie sich in ihnen Images, kulturelle Stereotypen und kollektive Identitäten spiegeln. Die Verknüpfung von musikanalytischen mit kulturwissenschaftlichen Forschungsansätzen gibt neue Impulse für die Auseinandersetzung mit populärer Musik und populärem Gesang. Besprochen in: GMK-Newsletter, 8 (2015)

Music --- Identity (Psychology) --- Personal identity --- Personality --- Self --- Ego (Psychology) --- Individuality --- Criticism --- History and criticism. --- Research. --- Populäre Musik; Gesang; Stimme; Kulturgeschichte; USA; Musik; Popkultur; Amerika; Popmusik; Musikgeschichte; Klang; Musikwissenschaft; Popular Music; Singing; Voice; Cultural History; Usa; Music; Popular Culture; America; Pop Music; Music History; Sound; Musicology --- America. --- Cultural History. --- Music History. --- Music. --- Musicology. --- Pop Music. --- Popular Culture. --- Singing. --- Sound. --- Usa. --- Voice.