Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Aesthetics --- Affective and dynamic functions --- Representation (Philosophy) --- Image (Philosophy) --- Perception. --- Experience. --- Aesthetics. --- Représentation (Philosophie) --- Image (Philosophie) --- Perception --- Expérience --- Esthétique --- Experience --- #PBIB:1999.2 --- Representationalism (Philosophy) --- Representationism (Philosophy) --- Culture --- Philosophy --- Supraliminal perception --- Cognition --- Apperception --- Senses and sensation --- Thought and thinking --- Knowledge, Theory of --- Psychology --- Reality --- Pragmatism --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Art --- Criticism --- Literature --- Proportion --- Symmetry --- Image (Philosophy). --- Representation (Philosophy). --- Représentation (Philosophie) --- Expérience --- Esthétique --- Radio broadcasting Aesthetics

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Goldsmith, Oliver

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)

Through scrupulous and perceptive analyses, Hopkins shows how parameters other than melody, harmony, and rhythm compensate for the weakening of tonal syntax in Mahler's music. Closure and Mahler's Music provides a conceptual framework that can enhance understanding of the stylistic changes that took place during the first part of the twentieth century.

Closure (Music) --- Mahler, Gustav, --- Criticism and interpretation.

Choose an application

• Reference Manager
• EndNote
• RefWorks (Direct export to RefWorks)