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Der belgische Maler und Grafiker James Ensor (1860–1949) nimmt in der Kunstgeschichte des 20. Jahrhunderts einen besonderen Rang ein. Als „Maler der Masken" kategorisiert, stilisierte er sich selbst als Einzelgänger und Außenseiter, war aber auch Vorläufer und Impulsgeber künftiger Generationen. Die Publikation zur Ausstellung in der Kunsthalle Mannheim stellt das Schicksal eines Bildes, Die Masken und der Tod von 1897, das einst zur Sammlung gehörte, 1937 von den Nationalsozialisten beschlagnahmt wurde und sich heute im Musee des Beaux-Arts Lüttich befindet, in den Fokus. Um dieses und als Ersatz in den 1950ern erworbene Bild Stillleben mit Hahn gruppieren sich zahlreiche weitere Werke zum Motivkreis „Selbstbildnis – Maske – Tod – Stillleben", die zeigen, wie eng verflochten diese Themen in Ensors Œuvre waren.
Drawing --- Painting --- Graphic arts --- prints [visual works] --- easel paintings [paintings by form] --- sketches --- Ensor, James --- Exhibitions --- Ensor, James.
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Art --- politics --- political art --- power --- globalization --- Mroué, Rabih --- Bajević, Maja --- Faulhaber, Christoph --- Margolles, Teresa --- Pousttchi, Bettina --- Wagner, Silke --- Awad, Alaa --- Metahaven [Amsterdam] --- Urban-Think Tank --- IRWIN [Ljubljana]
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Money. Monetary policy --- Art --- money [objects] --- fine arts [discipline] --- economics
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Kunsthalle Mannheim --- 1933 - 1945 --- 20ste eeuw
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Painting --- installations [visual works] --- painting [image-making] --- mural painting [image-making] --- muurschilderkunst --- Hein, Jeppe --- Velde, van de, Rinus --- Sander, Karin --- Tuttle, Richard --- Durham, Jimmie --- Weiner, Lawrence --- Palermo, Blinky --- Majerus, Michel --- Herrera, Arturo --- Larner, Liz --- Walker, Kara --- Gordon, Douglas --- Huyghe, Pierre --- Solakov, Nedko --- Caramelle, Ernst --- Rosen, Kay --- Riley, Bridget --- Hajek, Otto Herbert --- Knoebel, Imi --- Ackermann, Franz --- Rückriem, Ulrich --- Landgreen, Malene --- Kuri, Gabriel --- Wright, Richard --- Schütte, Thomas --- Elmgreen & Dragset --- LeWitt, Sol --- Wagner, Alexander --- Rüthemann, Kilian --- Terwiel, Benedikt --- Smith, Josh --- Perjovschi, Dan --- Mudrak, Christl
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Art --- Public buildings --- anno 1800-1999
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Art --- collages [visual works] --- art [discipline] --- Kot'átková, Eva
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This eye-catching booklet is published with an exhibition of hybrid wooden objects by Lebanese-American artist Walid Raad at Kunst-Station Sankt Peter Köln in Germany. Raad’s practice spans almost every artistic discipline, from photographs, videos, and lectures, to performances, sculptures, collages, and drawings. The artist’s approach is based on the assumption that artworks are not constants, but rather mutable quantities that change meaning and thus also their form during cultural or physical transfer. For instance, in dealing with the Lebanese wars, he uses the format of a seemingly authentic archive to confront the Western viewer with a society that has lost a unifying narrative.
Sculpture --- sculpture [visual works] --- wood [plant material] --- #breakthecanon --- Raad, Walid
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De Cock, Jan --- kunst --- eenentwintigste eeuw --- België --- De Cock Jan --- installaties --- kunst en architectuur --- Kennedy Jacqueline --- Onassis Jacqueline --- Bouvier Jacqueline --- sixties --- 7.071 DE COCK --- Exhibitions
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