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Gothic as a form of fiction-making has played a major role in Western culture since the late eighteenth century. In this 2002 volume, fourteen world-class experts on the Gothic provide thorough and revealing accounts of this haunting-to-horrifying type of fiction from the 1760s (the decade of The Castle of Otranto, the first so-called 'Gothic story') to the end of the twentieth century (an era haunted by filmed and computerized Gothic simulations). Along the way, these essays explore the connections of Gothic fictions to political and industrial revolutions, the realistic novel, the theatre, Romantic and post-Romantic poetry, nationalism and racism from Europe to America, colonized and post-colonial populations, the rise of film and other visual technologies, the struggles between 'high' and 'popular' culture, changing psychological attitudes towards human identity, gender and sexuality, and the obscure lines between life and death, sanity and madness. The volume also includes a chronology and guides to further reading.
Horror tales, English --- Horror tales, American --- Gothic revival (Literature) --- History and criticism. --- Fiction --- English literature --- Horror tales [English ] --- History and criticism --- Horror tales [American ] --- United States --- Great Britain --- 820-3 "17/18" --- 82-34 --- 82-34 Sprookje. Legende. Mythe --- Sprookje. Legende. Mythe --- 820-3 "17/18" Engelse literatuur: proza--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Engelse literatuur: proza--18e en 19e eeuw. Periode 1700-1899.--(eveneens voor boeken over recht periode 1789-1799) --- Horror tales, English - History and criticism. --- Horror tales, American - History and criticism. --- Gothic revival (Literature) - United States. --- Gothic revival (Literature) - Great Britain. --- LITTERATURE D'EPOUVANTE AMERICAINE --- LITTERATURE D'EPOUVANTE ANGLAISE --- NEO-GOTHIQUE (LITTERATURE) --- HISTOIRE ET CRITIQUE --- ETATS-UNIS --- GRANDE-BRETAGNE
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This critique, which contains a set of Percy Shelley's best known writings in prose and verse, attempts to demonstrate the powerful effects of ""radical transference"" in Shelley's vision of human possibility, and to reveal the revisionary procedures used in the poet's work.
Shelley, Percy Bysshe, --- Shelley, P. B. --- Sheli, Persi Bish, --- Hsüeh-lai, --- Hermit of Marlow, --- Marlow, --- Victor, --- Shelli, Persi-Bishi, --- Šéli, Pérsi Ba, --- Shilī, --- Selley, Persy Byss, --- Shelli, P., --- Шелли, Перси Биши, --- שלי, פרסי ביש --- שלי, פרסי ביש, --- שעלי, פוירסי --- شلي --- Śeli, Pārsi Bīśa, --- Criticism and interpretation. --- Shelley, Percy Bysshe
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This Companion explores the many ways in which the Gothic has dispersed in the twentieth and twenty-first centuries, and in particular how it has come to offer a focus for the tensions inherent in modernity. Fourteen essays by world-class experts show how the Gothic in numerous forms - including literature, film, television, and cyberspace - helps audiences both to distance themselves from and to deal with some of the key underlying problems of modern life. Topics discussed include the norms and shifting boundaries of sex and gender, the explosion of different forms of media and technology, the mixture of cultures across the western world, the problem of identity for the modern individual, what people continue to see as evil, and the very nature of modernity. Also including a chronology and guide to further reading, this volume offers a comprehensive account of the importance of Gothic to modern life and thought.
Gothic revival (Literature) --- Postmodernism. --- Modernism (Literature) --- Literature and society. --- History and criticism. --- Roman gothique.
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Celebrated as an actress on the London stage (1776-80) and notorious as the mistress of the Prince of Wales (1779-80), Mary Darby Robinson had to write to support herself from the mid-1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.
Gothic fiction (Literary genre), English --- History and criticism. --- Robinson, Mary, --- Criticism and interpretation. --- English gothic fiction (Literary genre) --- English fiction --- Perdita, --- Robinson, Perdita, --- Robinson, --- Friend to humanity, --- Laura Maria, --- Robinson, M. --- Juvenal, Horace, --- Randall, Anne Frances, --- Bramble, Tabitha, --- Robbinson,
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This collection provides a thorough representation of the early and ongoing conversation between Gothic and theory - philosophical, aesthetic, psychological, and cultural.
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