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Sinclair Lewis Remembered is a collection of reminiscences and memoirs by contemporaries, friends, and associates of Lewis that offers a revealing and intimate portrait of this complex and significant Nobel Prize-winning American writer. After a troubled career as a student at Yale, Sinclair Lewis turned to literature as his livelihood, publishing numerous works of popular fiction that went unnoticed by critics. With the 1920s, however, came Main Street, Lewis's first critical success, which was soon followed by Babbitt, Arrowsmith, El
Lewis, Sinclair, --- Lewis, Sinclair --- Luis, Sinkler --- Lʹi︠u︡is, Sinkler --- Lewis, Harry Sinclair --- לואיס, סינקלעיר, --- לואיס, סינקלר --- לואיס, סינקלר, --- לויס, סינקלער --- Graham, Tom --- Criticism and interpretation.
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American poetry --- Language poetry --- Poetics. --- History and criticism. --- History and criticism. --- Andrews, Bruce, --- Bernstein, Charles, --- Silliman, Ronald,
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In February 1978, the L=A=N=G=U=A=G=E newsletter, founded and edited by Charles Bernstein and Bruce Andrews, established the first public venue for the thriving correspondence of an emerging set of ambitious young poets. It circulated fresh perspectives on writing, politics, and the arts. Instead of poems, it published short essays and book reviews on the model of the private letter. It also featured extensive bibliographies and excerpts of cultural, social, and political theory. Bruce Andrews and Charles Bernstein's L=A=N=G=U=A=G=E: The Complete Facsimile makes available in print all twelve of the newsletter's original issues along with three supplementary issues.
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"Confronted at every turn by an insatiable audience of sometimes hostile interviewers, the young poet tried out a number of phrases, ideas, and strategies that ultimately made him famous as a novelist and playwright. Seeing America and Americans for the first time, Wilde's perception often proved as sharp as his wit; the echoes of both resound in much of his later writings. His interviewers also succeeded in getting him to talk about many other topics, from his opinions of British and American writers (he thought Poe was America's greatest poet) to his views of Mormonism. This volume cites all ninety-one of Wilde's interviews and contains transcripts of forty-eight of them, and it also includes his lecture on his travels in America."--BOOK JACKET. "This comprehensive and authoritative collection of Oscar Wilde's American interviews affords readers a fresh look at the making of a literary legend. Better known in 1882 as a cultural icon than a serious writer (at twenty-six years old, he had by then published just one volume of poems), Wilde was brought to North America for a major lecture tour on Aestheticism and the decorative arts that was organized to publicize a touring opera, Gilbert and Sullivan's Patience, which lampooned him and satirized the Aesthetic "movement" he had been imported to represent." "In this year-long series of broadly distributed and eagerly read newspaper interviews, Wilde excelled as a master of self-promotion. He visited major cities from New York to San Francisco but also small railroad towns along the way, granting interviews to newspapers wherever asked. With characteristic aplomb, he adopted the role as the ambassador of Aestheticism, and reporters noted that he was dressed for the part. He wooed and flattered his hosts everywhere, pronouncing Miss Alsatia Allen of Montgomery, Alabama, the most beautiful young lady he had seen in the United States, adding, "This is a remark, my dear fellow, I supposed I have made of some lady in every city I have visited in this country. It could be appropriately made. American women are very beautiful."".
Authors, Irish --- Irish authors --- Wilde, Oscar, --- Melmoth, Sebastian, --- Uaĭlʹd, Oskar, --- C. 3. 3, --- C. Three Three, --- Ṿild, Osḳar, --- Wilde, Oscar Fingall O'Flahertie Wills, --- Ṿaild, Osḳar, --- Vaildas, Oskaras, --- Author of Lady Windermere's fan, --- Lady Windermere's fan, Author of, --- Vailds, Oskars, --- Ouailnt, Oskar, --- Uaylt, Ōskʻar, --- Уайльд, Оскар, --- Уальд, Оскар, --- וויילד, אוסקר, --- וויילד, אסקאר --- וויילד, אסקאר, --- ווילד, אסקאר --- ויילד, אוסקר --- ויילד, אוסקר, --- וילד, אוסקר --- וילד, אוסקר, --- וילד, אסקר, --- װײלד, אסקאר --- װײלד, אסקאר, --- وايلد، أوسكار --- وايلد، اسكار --- オスカー・ワイルド --- Travel --- Wilde, Oscar
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" A path-breaking photo narrative of Dorn and African-American photographer Leroy Lucas's mid-1960s travels through Shoshoni Indian country (Nevada, Idaho, Wyoming, and Utah) to paint a stark tableau of modern Native life"--
Shoshonean Indians --- Shoshones (Indiens) --- Pictorial works --- Ouvrages illustrés
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""A path-breaking photo narrative of Dorn and African-American photographer Leroy Lucas's mid-1960s travels through Shoshoni Indian country (Nevada, Idaho, Wyoming, and Utah) to paint a stark tableau of modern Native life"--
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"Conceived in 1976 and published in 1980, LEGEND exemplifies the political and linguistic commitments of then-nascent Language writing. Coauthored by Bruce Andrews, Charles Bernstein, Ray DiPalma, Steve McCaffery, and Ron Silliman, the work was composed on typewriters and developed through the mail. The twenty-six poems of the volume bring together every possible permutation of collaborative authorship in one-, two-, three-, and five-author combinations, revealing the evolution of distinctive styles against and in conversation with others. Along with a complete reproduction of the original text, LEGEND: The Complete Facsimile in Context includes a critical introduction by editors Matthew Hofer and Michael Golston, a generous selection of material from the authors' correspondence, and a new collaborative piece by the authors. This book will be an essential resource to students and scholars in twentieth-century poetry and poetics"--
Authorship --- Collaboration. --- Legend.
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