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This book is Stanley Cavell's definitive expression on Emerson. Over the past thirty years, Cavell has demonstrated that he is the most emphatic and provocative philosophical critic of Emerson that America has yet known. The sustained effort of that labor is drawn together here for the first time into a single volume, which also contains two previously unpublished essays and an introduction by Cavell that reflects on this book and the history of its emergence. Students and scholars working in philosophy, literature, American studies, history, film studies, and political theory can now more easily access Cavell's luminous and enduring work on Emerson. Such engagement should be further complemented by extensive indices and annotations. If we are still in doubt whether America has expressed itself philosophically, there is perhaps no better space for inquiry than reading Cavell reading Emerson.
Philosophy in literature. --- Transcendentalism (New England) --- Emerson, Ralph Waldo, --- Criticism and interpretation. --- Transcendentalism (New England). --- Philosophy in literature --- New England transcendentalism --- Imarsana, Rāfa Vālḍō, --- Emerson, R. W. --- Emerson, Waldo, --- Emerson, R. Waldo --- Ėmerson, Ralʹf Uoldo, --- Ai-mo-sheng, --- Emarsan̲, --- אמרסון, רלף ולדו, --- עמערסון, ראלף וואלדא,
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Kunstgeschiedenis --- Actuele kunst --- 20e eeuw --- 21e eeuw
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Biorefineries outlines the processes and steps to successfully scale up production of two types of biofuels, butanol and ethanol, from cellulosic residues for commercial purposes. It covers practical topics, including biomass availability, pretreatment, fermentation, and water recycling, as well as policy and economic factors. This reflects the unique expertise of the editor team, whose backgrounds range from wood and herbaceous feedstocks to process economics and industrial expertise. The strategies presented in this book help readers to design integrated and efficient processes to reduce the cost of production and achieve an economically viable end product Outlines the economic benefits of designing a single operational process. Includes all currently available processes on pretreatment, fermentation and recovery Covers all pretreatment, fermentation, and product recovery options Focuses on biofuels but acts as a stepping stone to develop cost-efficient processes for an array of commodity chemicals.
SCIENCE --- Chemistry / Physical & Theoretical --- Chemical & Materials Engineering --- Engineering & Applied Sciences --- Chemical Engineering --- Biomass --- Biomass conversion. --- Biomass energy. --- Refining. --- Bio-energy (Biomass energy) --- Bioenergy (Biomass energy) --- Biofuels --- Biological fuels --- Energy, Biomass --- Microbial energy conversion --- Energy conversion --- Fuel --- Energy crops --- Microbial fuel cells --- Refuse as fuel --- Waste products as fuel --- Microbial biotechnology --- Mass (Physics) --- Biology --- Biomass as fuel --- Renewable fuels --- Renewable energy sources
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In Tehran, children walking home from school would scrape their pencils against the walls, tracing their paths through the city and chanting "follow this line." Siah Armajani (born 1939) recounts that this simple gesture speaks to the desire to mark one's presence in space. 'Siah Armajani: Follow This Line' asks visitors to follow the artist across a shifting terrain, first within the context of pre-revolution Iran, and later, postwar and present-day America. Though Armajani is best known today for his works of public art--bridges, gazebos, reading rooms--located across the United States and Europe, this groundbreaking exhibition argues for a thoughtful reexamination of his studio as the site of a rich and generative practice. His works engage a range of references: from Persian calligraphy to the manifesto, letter and talisman; from poetry to mathematical equations and computer programming; from the abstract expressionist canvas to American vernacular architecture, Bauhaus design and Russian constructivism. Exhibition: Walker Art Center, Minneapolis, USA (09.09. - 30.12.2018) / The Metropolitan Museum of Art (The Met Breuer), New York, USA (20.02. - 02.06.2019).
Armajani, Siha --- Art --- stairs --- calligraphy [process] --- public art --- vernacular architecture --- gazebos --- bridges [built works] --- digital --- mixed media works --- Constructivist --- Bauhaus --- Abstract Expressionist --- Armajani, Siah --- Iran --- digital art [visual works] --- exile [sociological concept] --- United States --- ART / General. --- Male artists --- Male artists. --- Public art --- Public art. --- Sculpture, American --- Sculpture, American. --- Sculpture, Modern --- Sculpture, Modern. --- Themes, motives. --- Armajani, Siah, --- Criticism and interpretation. --- 1900-2099. --- Minnesota. --- stairs [series of steps] --- United States of America
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