Listing 1 - 4 of 4 |
Sort by
|
Choose an application
In Body as Evidence, Janell Hobson challenges postmodernist dismissals of identity politics and the delusional belief that the Millennial era reflects a "postracial" and "postfeminist" world. Hobson points to diverse examples in cultural narratives, which suggest that new media rely on old ideologies in the shaping of the body politic.Body as Evidence creates a theoretical mash-up of prose and poetry to illuminate the ways that bodies still matter as sites of political, cultural, and digital resistance. It does so by examining various representations, from popular shows like American Idol to public figures like the Obamas to high-profile cases like the Duke lacrosse rape scandal to current trends in digital culture. Hobson's study also discusses the women who have fueled and retooled twenty-first-century media to make sense of antiracist and feminist resistance. Her discussions include the electronica of Janelle Monáe, M.I.A., and Björk; the feminist film odysseys of Wanuri Kahiu and Neloufer Pazira; and the embodied resistance found simply in raising one's voice in song, creating a blog, wearing a veil, stripping naked, or planting a tree. Spinning knowledge out of this information overload, Hobson offers a global black feminist meditation on how our bodies mobilize, destabilize, and decolonize the meanings of race and gender in an increasingly digitized and globalized world.
Ethnicity on television. --- Feminism and mass media. --- Popular culture and globalization. --- Women in popular culture. --- Human body --- Television --- Mass media and feminism --- Mass media --- Globalization and popular culture --- Globalization --- Popular culture --- Women --- Social aspects. --- Public opinion
Choose an application
More than thirty years have passed since the publication of All the Women are White, All the Blacks are Men, But Some of Us are Brave. Given the growth of women's and gender studies in the last thirty-plus years, this updated and responsive collection expands upon this transformation of consciousness through multiracial feminist perspectives. The contributors here reflect on transnational issues as diverse as intimate partner violence, the prison industrial complex, social media, inclusive pedagogies, transgender identities, and (post) digital futures. This volume provides scholars, activists, and students with critical tools that can help them decenter whiteness and other power structures while repositioning marginalized groups at the center of analysis.
United States --- Feminism --- African American women. --- Afro-American women --- Women, African American --- Women, Negro --- Women --- Race relations. --- Race question --- United States of America --- Racism --- Blackness --- Black feminism
Choose an application
In the social and cultural histories of women and feminism, Black women have long been overlooked or ignored. The Routledge Companion to Black Women's Cultural Histories is an impressive and comprehensive reference work for contemporary scholarship on the cultural histories of Black women across the diaspora spanning different eras from ancient times into the twenty-first century. Comprising over thirty chapters by a team of international contributors, the Companion is divided into five parts: A fragmented past, an inclusive future ; Contested histories, subversive memories ; Gendered Lives, racial frameworks ; Cultural shifts, social change ;Black identities, feminist formations. Within these sections a diverse range of women, places and issues are explored including: The Queen of Sheba, Black Women in Early Modern European Art and Culture, Enslaved Muslim Women in the Antebellum United States, Sally Hemings, and Phillis Wheatley, Black women writers in Early 20th Century Paris, Black women, Civil Rights, South African Apartheid, and sexual violence and resistance in the United States in recent history. The Routledge Companion to Black Women's Cultural Histories is essential reading for students and researchers in Gender Studies, History, Africana Studies and Cultural Studies "Dans les histoires sociales et culturelles des femmes et du féminisme, les femmes noires ont longtemps été négligées ou ignorées. The Routledge Companion to Black Women's Cultural Histories est un ouvrage de référence exceptionnel et complet pour les études contemporaines sur l'histoire culturelle des femmes noires de la diaspora, couvrant différentes époques, de l'Antiquité au XXIe siècle. Composé de plus de trente chapitres rédigés par une équipe de collaborateurs internationaux, l'ouvrage est divisé en cinq parties : Un passé fragmenté, un avenir inclusif ; Histoires contestées, mémoires subversives ; Vies sexuées, cadres raciaux ; Mutations culturelles, changement social : Identités noires, formations féministes. Dans ces sections, un large éventail de femmes, de lieux et de questions sont étudiés, notamment : la reine de Saba, les femmes noires dans la culture et l'art européens du début de l'ère moderne, les femmes musulmanes asservies dans les États-Unis d'avant la guerre de Sécession, Sally Hemings et Phillis Wheatley, les écrivaines noires dans le Paris du début du XXe siècle, les femmes noires, les droits civils, l'apartheid sud-africain, la violence sexuelle et la résistance aux États-Unis dans l'histoire récente. The Routledge Companion to Black Women's Cultural Histories est une référence essentielle pour les étudiants et les chercheurs en études de genre, histoire, études africaines et études culturelles."
Women, Black --- Social conditions. --- Social life and customs. --- History. --- Black women --- Women, Negro --- Sociology of the family. Sociology of sexuality --- History of civilization --- social history --- women [female humans] --- black --- Noires --- Histoire. --- Conditions sociales. --- Moeurs et coutumes. --- Women, Black. --- vrouwengeschiedenis
Choose an application
"In this [work] Janell Hobson explores the enduring figure of the "Hottentot Venus" and the history of critical and artistic responses to her by black women in contemporary photography, film, literature, music, and dance. In 1810, Sara Baartman was taken from South Africa to Europe, where she was put on display at circuses, salons, museums, and universities as the "Hottentot Venus." The subsequent legacy of representations of black women's sexuality - from Josephine Baker to Serena Williams to hip-hop and dancehall videos - refer back to her iconic image. Via a new preface, Hobson argues for the continuing influence of Baartman's legacy, as her image still reverberates through the contemporary marketization of black women's bodies, from popular music and pornography to advertising. A brand new chapter explores how historical echoes from previous eras map onto highly visible bodies in the twenty-first century. It analyzes fetishistic spectacles of the black "booty," with particular emphasis on the role of Beyoncé Knowles in the popularization of the "bootylicious" body, and the counter-aesthetic the singer has gone on to advance for black women's bodies and beauty politics. By studying the imagery of the "Hottentot Venus," from the nineteenth century to now, readers are invited to confront the racial and sexual objectification and embodied resistance that make up a significant part of black women's experience."--
Human body in popular culture. --- Women in popular culture.
Listing 1 - 4 of 4 |
Sort by
|