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Heavy metal music, texts, and nationhood : (re)sounding whiteness
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ISBN: 3030676196 3030676188 9783030676186 9783030676193 Year: 2021 Publisher: Cham, Switzerland : Palgrave Macmillan,


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Heavy Metal Music, Texts, and Nationhood : (Re)sounding Whiteness
Author:
ISBN: 9783030676193 9783030676209 9783030676216 9783030676186 Year: 2021 Publisher: Cham Springer International Publishing, Imprint: Palgrave Macmillan

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This book addresses how whiteness is represented in heavy metal scenes and practices, both as a site of academic inquiry and force of cultural significance. The author argues that whiteness, and more specifically white masculinity, has been given normative value which obscures the contributions of women and people of colour, and affirms the exclusory understandings of 'belonging' which have featured in the metal scenes of Norway, South Africa, and Australia. Utilizing critical discourse analysis and critical textual analysis of musical texts, promotional material, and participant-based observation ethnographies, it explores how the texts, discourses, and practices produced and articulated by metal scene members and scholars alike have presented heavy metal as a white, masculine pastime, yet also considers the vital work done by scene members to confront expressions of exclusory misogyny and racism when they emerge in metal scenes. The book will be of interest to researchers and scholars in the fields of metal music studies, leisure studies, sociology of culture and sociology of racism. Catherine Hoad is Senior Lecturer in Critical Popular Music Studies, Massey University, Wellington, New Zealand.


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Australian metal music : identities, scenes, and cultures
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ISBN: 1787691691 1787691675 Year: 2019 Publisher: Bingley, England : Emerald Publishing,

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Defining 'Australian metal' is a challenge for scene members and researchers alike. Australian metal has long been situated in a complex relationship between local and global trends, where the geographic distance between Australia and metal music's seemingly traditional centres in the United States and United Kingdom have meant that metal in Australia has been isolated from international scenes. While numerous metal scenes exist throughout the country, 'Australian metal' itself, as a style, as a sound, and as a signifier, is a term which cannot be easily defined. This book considers the multiple ways in which 'Australianness' has been experienced, imagined, and contested throughout historical periods, within particular subgenres, and across localised metal scenes. In doing so, the collection not only explores what can be meant by Australian metal, but what can be meant by 'Australian' more generally. With chapters from researchers and practitioners across Australia, each chapter maps the distinct ways in which 'Australianness' has been grappled with in the identities, scenes, and cultures of heavy metal in the country. Authors address the question of whether there is anything particularly 'Australian' about Australian metal music, finding that often the 'Australianness' of Australian metal is articulated through wider, mythologised archetypes of national identity. However, this collection also reveals how Australianness can manifest in metal in ways that can challenge stereotypical imaginings of national identity, and assert new modes of being metal 'downungerground'.


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Australian metal music : identities, scenes, and cultures
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ISBN: 9781787691698 9781787691674 Year: 2019 Publisher: United Kingdom : Emerald Publishing,

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Book
Heavy Metal Music, Texts, and Nationhood
Authors: ---
ISBN: 9783030676193 9783030676209 9783030676216 9783030676186 Year: 2021 Publisher: Cham Springer International Publishing :Imprint: Palgrave Macmillan

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Mixing pop and politics : political dimensions of popular music in the 21st century
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ISBN: 9780367248086 0367248085 9780367248093 0367248093 0429284527 1000556670 Year: 2022 Publisher: New York, NY : Routledge,

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The political has always been part of popular music, but how does that play out in today's musical and political landscape? Mixing Pop and Politics: Political Dimensions of Popular Music in the 21st Century provides an innovative exploration of the complex politics of popular music in its contemporary formations. Amid the shifting paradigms of power in the 2020s, the chapters in this book go beyond the idea of popular music as protest to explore how resistance, subversion, containment, and reconciliation all interact in the popular music realm. Covering a wide range of international artists and genres, from South African hip-hop to Polish punk, and addressing topics such as climate change and environmentalism, feminism, diasporic identity, political parties, music-making as labour, the far right, conservatism and nostalgia, and civic engagement, the contributors expand our understanding of how popular music is political--

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