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Ataman, Kutlug

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Chernysheva, Olga

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Art --- art [discipline] --- texts [documents] --- Weiner, Lawrence --- United States of America

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The Posthuman Glossary is a volume providing an outline of the critical terms of posthumanity in present-day artistic and intellectual work. It builds on the broad thematic topics of Anthropocene/Capitalocene, eco-sophies, digital activism, algorithmic cultures and security and the inhuman. It outlines potential artistic, intellectual, and activist itineraries of working through the complex reality of the 'posthuman condition', and creates an understanding of the altered meanings of art vis-à-vis critical present-day developments. It bridges missing links across disciplines, terminologies, constituencies and critical communities.--

Humanism --- English --- #SBIB:39A1 --- #SBIB:3 G --- Antropologie: algemeen --- Sociale Wetenschappen: algemeen --- E-books --- filosofie --- posthumanisme --- kunsttheorie --- eenentwintigste eeuw --- sociologie --- politiek --- ecologie --- technologie --- 7.01 --- Humanism. --- Humanisme --- Humanisme. --- Dictionnaires. --- Philosophy --- Classical education --- Classical philology --- Philosophical anthropology --- Renaissance --- Philosophy of nature --- Sociological theory building --- Philosophy and psychology of culture --- Human beings --- Theory --- Thesaurus --- Ecofeminism --- Ecology

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Future publics' includes contributions by artists, theorists, and activists who reflect on the emergence of radically new publics, whose origins in moments of social crisis and political uncertainty inspire them to question existing forms of collective organization, decision-making structures, and protocols for the construction of social value and cultural meaning. These future publics recognize that the institutions of political and cultural life cannot continue as usual, following the collapse of late capital's certitudes. Utopian yet pragmatic, insurgent yet self-critical, these publics resist being normalized into the official, conscriptive definitions of citizenship and instead contribute actively to the formation of new solidarities, cutting across conventional lines of class, region, ethnicity, and ideological affiliation. In the cultural field, future publics demonstrate a capacity for engagement that exceeds the passive observation of the 'viewer' or 'consumer'. While developing a genealogy for future publics, the contributors to this volume also assemble a vocabulary that points towards artistic practices and emergent groups staged outside the rigid institutions of public culture: they address, among other phenomena, rebel citizenry, cultural users, stateless states, and devolutionary platforms. The reader explores how the imaginative and intellectual labor of such formations has proposed new speculative forms of belonging and collaboration beyond the ones envisaged within the paradigm of 'contemporary art'.

kunst --- kunsttheorie --- kunst en politiek --- 7.01 --- receptie-esthetica --- eenentwintigste eeuw --- activisme --- Art --- art [fine art] --- citizen participation --- community art --- philosophy of art --- globalization --- art [discipline] --- kunstsociologie