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Silent sisters / stille Schwestern is a structured meditation on Theresa Hak Kyung Chas text Dictee. The point of departure is the translation of Dictee from English into German. The project proposes to then explore the translation as a medium for the non-verbal interpretation of the same work from a current perspective but via drawings, materials, video, and performance rather than spoken and written language.
Art --- Literature --- onderzoek in de kunsten
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Morning Change is a book on movement, location and nomadism in the oeuvre of the Brussels based German artist Heide Hinrichs (b. 1976). It is an invitation to follow different lines that are directed east — east of Kassel, east of Busan, east of Seattle, east of London. The lines are drawn over continents and oceans, against the Earth’s own movement we unconsciously witness with each sunrise. Within the traces of these lines, static objects are put back into motion and they are made to leave their recommended positions of meaning.The publication brings together three groups of works, developed over different periods of time between 1999 and 2018, exploring the artist’s recurring interest in these topics.the horse — a story that starts 10 year after the fall of the Iron Curtain, Silent Sisters / Stille Schwestern together with a series of drawings and installations that were conceived in response to DICTEE — a text written by the Korean-American artist Theresa Hak Kyung Cha and On Some of the Birds of Nepal (Parting the Animal Kingdom of the East) — an installation that Hinrichs created in the context of the first Kathmandu Triennale 2017.
Hinrichs, Heide --- kunst --- Hinrichs Heide --- België --- Duitsland --- eenentwintigste eeuw --- kunstenaarsboeken --- artists' books --- 7.071 --- Exhibitions --- artists' books [books] --- Art --- installations [visual works] --- 7.07 --- Hinrichs, Heide °1976 (°Oldenburg, Duitsland) --- Kunstenaarsboeken --- Kunstenaars met verschillende disciplines, niet traditioneel klasseerbare, conceptuele kunstenaars A - Z --- Beeldende kunst ; 1ste helft 21ste eeuw ; H. Hinrichs --- watercolor [paint] --- Art, Belgian --- Sculpture, Belgian. --- Hinrichs, Heide,
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Art --- Literature --- onderzoek in de kunsten
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Body. Listening. Book. Library. Institution. How can libraries be generative resources and sites of action for all who identify as queer, as women, as Black, as Indigenous, as people of colour? What does it mean to consider the art library as a collective practice that spans multiple scales? In Shelf Documents artists, writers, curators, teachers and librarians reflect on their engagement with books, libraries and art-library-as-practice.
kunst --- 7.039 --- homoseksualiteit --- feminisme --- 02 --- eenentwintigste eeuw --- BIPOC --- postkolonialisme --- gender studies --- bibliotheekwetenschap --- kunstbibliotheken --- bibliotheken --- tekenkunst --- kunsttheorie --- 741.039 --- 7.071 HINRICHS --- 741.071 HINRICHS --- Art --- onderzoek in de kunsten --- bibliotheekwezen --- diversiteit --- multiculturalism --- art libraries [institutions] --- 7.049 --- 7.01 --- 741.07 --- 025.2 --- Hinrichs, Heide °1976 (°Oldenburg, Duitsland) --- Bibliotheken ; kunstbibliotheken --- Feminisme --- Queer people --- Postkolonialisme --- Iconografie ; verschillende onderwerpen --- Kunst ; theorie, filosofie, esthetica --- Tekenkunst ; tekenkunstenaars A - Z --- Bibliotheekwezen ; collectievorming --- Library research --- Diversité culturelle --- Documentation de bibliothèque --- Bibliothèques d'art --- Gestion des collections --- Bibliothèque --- Art libraries --- Library materials. --- Cultural pluralism. --- Collection development. --- Cultural Diversity. --- Diversité culturelle. --- Documents de bibliothèque. --- Library Materials. --- Bibliothèques --- Développement des collections.
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This exhibition presents never-before exhibited work by three artists whose research-based practices have drawn them to the work of historical women artists Marianne Brandt (for Brown), Theresa Hak Kyung Cha (for Hinrichs) and Mina Loy (for Ritter), whose own production and memory has been overlooked or stifled within the art historical canon. Presented in dialogue with Beginning with the Seventies: Activism, Art and Archives, a multi-year project initiated at the Morris and Helen Belkin Art Gallery and curated by Lorna Brown, the object-based works in Some Spontaneous Particulars demonstrate particular concern for a material handling of the past, as a means to query the act and implications of retrieval, the ethics of translation, and consider the radical potential of a feminist archive.
Art --- feminism --- women [female humans] --- Hinrichs, Heide --- Brown, Vanessa --- Ritter, Kathleen
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Artistiek onderzoek --- Muziekonderwijs --- Kunstpraktijk --- België --- 21e eeuw
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